Embrace the Jabberwock

Beware the Jabberwock, my son! The jaws that bite, the claws that catch! –Lewis Carroll

Everyone finds it hard to make time to write. Sometimes squeezing “butt in seat” moments requires hiding from humanity.

Since publication of Little Bookstore last October–heck, since the February before–my agent Pamela, a diplomatic woman of great gentleness, has been dropping hints. “Working on anything?” She doesn’t push, she just … asks. Every once in awhile.

It’s very effective.

Lest poor Pam bear the brunt, I have WANTed to be writing again. A vague idea has swirled into semi-solid form, and the little pin prickles of desire, of inspiration–of guilt–have grown into claws that reach out to pull my butt back in the chair.

Those of you out there who write know what it’s like: toy with an idea, write a scene, think, daydream. Start to build. Force yourself into the chair and silence your internal critic’s voice: “This is stupid. This is crap.”

Beware the jaws that bite.

Then the half-formed beast of an idea’s claws reach out and pull you in, and you’re dropping social engagements to get another hour with your characters. You never want to leave that chair.

It’s not unlike being in love.

Last weekend I fled to a quiet place for two days of butt in chair and fingers on keyboard. It’s funny how writing begets writing in the same way that exercising exhausts you, then energizes you to exercise more. First your brain goes into a post-writing meltdown where you have nothing to say; every last spark of creativity gone, you curl into fetal position under a quilt. Lying in the dark, you start to think “what if he…” and you’re up again, fingers on keys, butt in chair.

And then you hit a bald patch, or the characters take over and drive you into a corner you can’t see a way out of, and you pout and fume and go back under the quilt, and a mental image comes to you, and up you get, and so it goes.

Perhaps it’s less love than lion taming. You don’t want to completely subdue the beast of an idea, but you can’t let it take over, either.  Partnership rather than dominance; you need it and it needs you.

I’m not sure the chair-quilt swing is a healthy lifestyle, but glory, it’s fun. When it’s going well. Or when it’s over. It’s fun the same way half-way through the marathon is fun (my running friends tell me) even though every step is pain. Sometimes it’s about the moment you’re in. Sometimes it’s about the goal you’re reaching.

But it’s always, always a thrill when those claws reach out and catch you, and you see in your mind’s eye what’s going to happen next, and you’re just waiting for the chance to put your butt in the chair and your fingers on the keyboard and hear the roar again.

Bless their Hearts

Another guest blog from Jack while Wendy is ‘hors de combat’

 

I’ve been thinking about the books I read (yes, I know – I live in a bookstore) and why folk read the kind of books they do. For instance I tend not to read all that much fiction, preferring history and biography. There are exceptions, of course – Ian Rankin for one. He’s famous for a series based around his Inspector Rebus character. The reason I enjoy him is probably pretty obvious to anyone who knows me and the books; both Rankin and Rebus are from West Fife in Scotland, both moved to Edinburgh and the books capture the seedier side of Edinburgh (and West Fife) perfectly. All places I know very well. Throw in references to old friends of mine and he can hardly go wrong (the stories are great too). I knew that Rankin was popular and successful, but I hadn’t realized that he had US editions of his book until I moved over here while half way through the Rebus series.

 

Here’s where it gets weird!

 

You would think that an American edition of a British book would just have the price in dollars instead of pounds – end of story (Ha!). But you’d be wrong because – – – this isn’t a British book; oh no, this is a SCOTTISH book. It’s in a foreign language, so the US publishers paid someone to translate it into proper English! These American editions are completely hilarious. They translate things like ‘city bypass’ to ‘urban freeway’, yet blithely ignore much more problematical things like ‘wee bampot’. Of course no-one in Scotland would say ‘urban freeway’ and most Americans could make a reasonable guess at ‘city bypass’, so I’m left puzzled though amused.

 

All this must have a point, I here you ask –

 

The Little Bookstore of Big Stone Gap is being translated into a slew of foreign languages, none of which either of us speak (at the last count, Chinese, Korean, Polish and Portuguese). A friend suggested I should translate it into Scots and that suddenly made the connection to the sad saga of Inspector Rebus. How will we know if ‘urban freeway’ has become ‘city bypass’ or ‘insignificant idiot’ has become ‘wee bampot’?

 

Publishers – bless their hearts!