This week’s review comes from crowd favorite Paul Garrett –
Dr. Battista, an obscure researcher of autoimmune disorders, has been slaving away in obscurity, almost forgotten by his employer, Johns Hopkins University. Now he feels he is on the verge of the breakthrough he has been searching for all his professional life. There is only one problem: Pyotr, his research assistant and right arm is about to lose his visa and be forced to return to the Eastern European country of his birth. Dr. Battista is terrified that all his work will go down the tubes (pun intended? Maybe, maybe not.) without Pyotr there. He hatches a plan to save his project and his lab assistant. All that has to happen is for Pyotr to marry Dr. Battista’s daughter.
Nobody thought to ask his daughter.
Kate Battista is a tall lanky girl approaching what used to quaintly be called spinsterhood. Almost thirty with no love interest and no prospects, she spends her days gardening, working as a teaching assistant at a preschool and looking after her widowed father and younger sister. She is awkward socially and has a habit of saying exactly what is on her mind, to the detriment of her relationships with just about everybody, especially the parents of the little crumb crunchers who are entrusted to her care.
Anne Tyler’s novel Vinegar Girl (Hogarth, 2016) Is a nod to Shakespeare’s The Taming of the Shrew as the poor and equally awkward Pyotr, along with the help of his boss try to woo the standoffish Kate.
Tyler is one of the few authors (along with Kurt Vonnegut) who can make me laugh out loud. Her tragicomic style is on full display as the characters careen from one mishap and plot twist to the next. The rehearsal dinner scene alone makes the book worthwhile.
Unlike in T.C. Boyle’s preachy Tortilla Curtain, Tyler avoids the controversies of the American immigration system, preferring to stick to the Shakespearian template and leave the intellectual heavy lifting to others.
This is a small volume for Tyler, but she manages to pack it full of her normal cadre of oddballs, miscues and mishaps. The story ends with an odd (for today’s audience) soliloquy on the plight of men in society.
The book’s brevity may be the only drawback, as Tyler felt the need to add an extensive epilogue. Brief or not, Tyler fans won’t be disappointed.
Wendy Welch: Books, Yarn, Cats, Opioids 