The Monday Book: THE SINGING TREE by Kate Seredy

This YA novel is actually the sequel to a famous children’s classic called The Good Master. Kate and Jansci are cousins introduced in that book, when Kate is sent to live with her father’s brother’s family because she’s a spoiled city girl who has been ill.

The Singing Tree is a much deeper book, detailing the experiences of the Hungarian farmers during World War I. The book deals in childlike innocence with topics such as anti-Jewish sentiment in Hungary, the power grab of Austria, the terrible opening of the war, and how Hungarians and Germans set themselves up for future enmity.

The farm where Marton Nagy (the good master) keeps his family safe, and later shelters neighbors who lose their farms, and then houses Russian prisoners of war who work the farm while he is in the army, and finally takes in a passel of German refugee children, is a big happy place. Part of why I like this book is its sappy “Sound of Music” plot twists. (For one example, a stray cat having kittens makes Kate detour the farm wagon to an army field hospital, where missing Uncle Marton is discovered as an amnesia patient. I know, right? Eye rolling.)

And yet throughout the book are these amazing moments of writing, where true horror is simply spoken out by the beloved characters in heartbreaking poetic ways. Marton tells his family the story of Christmas 2015, when soldiers on each side of the trench separating them from killing each other the next day began lighting candles.

Light a candle for Christmas Eve, men whispered and their very words seemed to turn into tiny stars as dozens and dozens, then hundreds of candles came forth from the knapsacks to be lighted and stuck in the snow…..

Kate sighed, a long, tremulous sigh: Oh that was beautiful! What happened after?

The candles burned down, Kate, and the–darkness closed in again. Let those who made war heard the story of what happened after. Let them see.” He lifted his arm and covered his eyes.

Lots of characters fill out the pages and the plot in lovely ways, like Uncle Moses the shopkeeper and Sergei the head of the Russian prisoners, and Mother, who is described in the title. She is the tree that shelters what turns out to be more than twenty people from five nationalities on their farm. Unbelievable, except, in Seredy’s masterful style, it is.

I loved this book as a child and found additional meaning to it as an adult. Give it a read.

The Monday Book

The review today is by Paul Garrett

Stephen Pressfield, the author of Gates of Fire, The Afghan Campaign and Tides of War, about the Spartans, Alexander the Great and Alcibiades, respectively, returns to ancient history with his latest effort, A Man at Arms.

Teleman of Arcadia is a Greek mercenary who once served in the Roman army’s famous Tenth Fretensis Legion. He is dispatched by the Roman consul in Palestine to intercept and stop by any means a dangerous insurgent, said to be carrying a letter that could cause the downfall of the Empire.

When Teleman becomes allied with the man and his daughter, a mute, the mercenary and his little band of unlikely heroes must defend themselves against bandits, Arab mercenaries and The Roman army itself to deliver the letter, which is a missive from the Apostle Paul to the Greek city of Corinth.

Pressfield’s book The War of Art about overcoming “resistance” has nearly taken on the lofty status of Natalie Goldberg’s classic Writing down the Bones or Anne Lamott’s Bird by Bird. I have always thought his books about writing to be better than his stories. This book is no exception.

His prose is hard to take sometimes, as his motto seems to be to never use a one or two syllable word when a three or four syllable word is available. I have nothing against what Hemingway called “ten-dollar words” back when that was a lot of money. As a writer of fiction myself, I can sympathize with trying to come up with a word that will evoke the exact meaning or feeling one is looking for, but in an action novel, multisyllabic utterances decelerate the deciphering of the manuscript. It’s sort of like trying to run through ankle deep mud. There are also a few escapes and close calls that stretch credulity.

The book’s saving graces are Pressfield’s insistence on historically accurate portrayals of characters and setting, the many surprising plot twists, the riveting action sequences, and the insight into what it must have been like for the early Christians as they faced seemingly overwhelming odds to keep their nascent religion alive. Though perhaps not Pressfield’s best effort, A Man at Arms is still an entertaining read.