A Carrying Streamlet – –

Jack jumps in to rescue the Monday book post – –

The Folk River – Fraser Bruce

I should start by saying this is yet another book to which I had some input.

It started with a lengthy series of discussions instigated by Fraser Bruce on FaceBook where he challenged some of the accepted ‘myths’ surrounding the Scottish folk scene of the late 1950s and early 1960s. This led him to do some serious research, including interviewing those folk still around from these days, as well as previous publications – books and magazines.

He then set out on the mammoth task of pulling it all together and then enlisting our mutual friend Pete Heywood to proof, type set and insert lots of pictures.

Most other books covering this subject that I’ve seen tend to be written by observers rather than practitioners so this one is different and wherever Bruce’s experiences overlap mine I can attest that they are accurate. I can be reasonably sure, then, that where he overlaps with other folks’ experiences they are likely accurate as well.

Being married to a writer and published author I have some idea of the work that has gone into this and commend Bruce for taking on this formidable task.

Of course it will be of most interest to the diminishing band of like-minded folk who were around then, but I hope, like Bruce, that it might add to the existing small number of more academic publications about this fascinating time.

Finally – even if I hadn’t been involved I would still recommend this as an excellent window to a time that both mirrored and connected with the similar American folk revival.

For Auld Lang Syne – –

Jack’s Wednesday guest post is on time for a change – –

It’s really great to re-connect with an old friend and it’s always interesting how it comes about.

Another old friend Fraser Bruce was researching for a book he’s just published about the early days of the folk music scene in Scotland in the 1950s and 1960s. One of his informants was me and another was Andy Hunter.

Andy was an important early folk revival singer of old ballads he learned from the great Jeannie Robertson when he was attending Aberdeen University. He also wrote many songs in a traditional style.

He eventually moved to live near me in Fife and we became close friends. When he recorded an album of ballads and songs in the 1980s I was honored to be asked to accompany him on guitar on some of the songs. Around that time he was one of the folk who began planning the degree program in Scots music at the Royal Scottish Academy of Music and Drama in Glasgow (now The Royal Conservatoire of Scotland) and he invited me to be the external examiner in Scots song.

Also around that time Jeannie’s daughter Lizzie Higgins would stop off at Andy’s house on her way either south or north and he’d invite me over, so another big connection. Lizzie recorded one of Andy’s best known songs – ‘Up and awa wi the Laverock’ on one of her albums. That was a song I accompanied Andy on when he made his.

He was a professor of French at one of the Universities in Edinburgh and eventually moved to France some years ago and I had lost touch which was a great sadness to me.

I’m glad to say that he is active as a folklorist and piper and living in his beloved Brittany.  And we are back in touch.

He played a quiet but important role in the beginnings of the folk music scene of the 1960s in Scotland and continues to do so – –