Mind me Harp, Mind me Harp – – –

Jack barely scrapes over the line this week – –

The title of this post is a reference to a comedic recording of a mythical Irish ceili band featuring the great Peter Sellers and produced by George Martin (later famous as the ‘fifth Beatle’).

But this is about ‘something completely different’.

My good friend Tom Swadley who leads a rather better band playing Irish traditional music, and based in Virginia and Tennessee, sent me a link to a documentary a few days ago. It traces the history of the Bothy Band from their inception to their recent 50th anniversary reunion concert.

The Bothy Band emerged in the 1970s along with a few others such as ‘Planxty’ and ‘De Danaan’ playing not just very skillfully but with an obvious deep understanding and love of their inherited Irish music. One of their first recordings was of a concert in Paris and like everyone else I was blown away when I first heard it.

They play mainly instrumental sets of tunes with the occasional song thrown in to break things up, but it’s the sets of tunes that grabs you. There’s a tremendous energy and drive that comes from the combination of guitar, bouzouki and keyboard topped with the pipes, fiddles and flute. As others have said – this takes Irish music into the equivalent of ‘rock and roll’!

The documentary is really excellent and traces their career from the earliest days, using archive material, fly on the wall snippets of their rehearsals for the reunion concert, and then finishes with the actual concert. It reminded me of another great documentary about ‘The Weavers’ preparation for their farewell concert at Carnegie Hall (not the one in Dunfermline!). The treatment seemed very similar. In some ways the Bothy Band did for Irish music what the Weavers did for American music, so somewhat fitting!

Here’s a link –

The Monday Book – Bob Dylan, Performing Artist, 1960-1973

Monday Book review by Jack Beck

Bob Dylan, Performing Artist, 1960-1973, The Early Years. Paul Williams (1990 Omnibus Press)

Version 1.0.0

Regular readers of this blog will already know that I’m a big fan of Dylan and his music.

This book is both interesting and frustrating. It’s well written and researched and Williams gives due credit to other writers who have covered the same subject and time period. But the more I read, the more it seemed to be as much about the author as about Bob Dylan.

It wasn’t until I got almost to the end that I discovered that Williams had been a rookie cub reporter on a local newspaper in the early 1970s and was able to interview Dylan. He says that Bob was relaxed and straightforward and not doing his usual enigmatic and obscure stuff. That’s fine, but I’m not sure it necessarily gives you any special insights!

At various points Williams puts Dylan on a level with Shakespeare, James Joyce, Beethoven and Picasso. I think that might just be over-egging things a bit.

The book is written chronologically as the title suggests and Williams has certainly covered the period in depth, including both commercial and bootleg recordings as well as un-recorded live performances. But it’s in between this valuable information that he lets loose with his personal and (I think) overblown analysis.

Despite all the careful research I did discover one surprising omission. Williams spend a fair bit of time on Dylan’s 1966 world tour which ended in the UK. He lists the various concerts around the country but misses Edinburgh. I know it’s missing because I was there and have an excellent recording of that night!

So – a bit of a mixed bag, but for died in the wool fans well worth a read!