Two Porches

Attending the graduation ceremony of a friend recently, the extended chosen family piled into a VRBO high in the North Carolina mountains. It was literally atop a luxury gated community, part of a system of homes in a rabbit warren of “get the best views” homes pushed into the sides of the mountain. And there was a golf course.

Four bedrooms and a communal gathering space upstairs and down gave each of the four couples privacy and community. The huge back porch looked toward the ridge on the other side of the valley. It was, in a word, picture perfect.

And it reminded me of another porch: my grandmother’s, out there in Vinton County, Ohio. My bet is whoever owned the house we were in and the house next door to it (iron gates on a timer, an irrigation system to aid the flowering trees, and a turret on the side of the colossal home) could have pooled their pocket change and bought Vinton County.

Grandma’s house didn’t have walls, just the studs, because they ran out of building money. Growing up, I thought it was the coolest place in the world because you could slip between rooms without using the door. And her porch, about the size of a king sized quilt, was the best star gazing territory in the world, because they didn’t use electric lights for the first eight or so years of my visits there. Couldn’t afford it.

Nanny’s porch looked across a pasture to distant mountains, and the lights of the small town nestled in the valley between just peeped over the grass, making it look like our own private sunset every evening.

We cooked skillet suppers on her wood stove, and the fact that took twice as long to heat anything up meant we got to talk more. And that Nanny could show me how to peel carrots correctly, in what order to put in the veggies and herbs she foraged or grew in her garden.

At the North Carolina B&B, Brandon’s father-in-law made us a skillet breakfast of venison from his hunting trips, coupled with fluffy biscuits from a can and eggs from our homestead. We went out to eat at a special celebrational place serving deluxe burgers and craft brews.

It was a delight to sit on that huge screened-in back porch in North Carolina, replete with a lovely meal, sipping gin fizzes and celebrating our friend Brandon’s success in school and enjoying each other’s company while counting shooting stars. It was a delight to sit as a cherished grandchild on my grandmother’s porch sipping lemonade, belly full from the skillet supper, slapping mosquitoes while counting shooting stars.

Maybe it’s who you’re with, maybe it’s what you look at, maybe it’s how you see. Joy is in a lot of places and while I don’t for a minute romanticize poverty, I also don’t discredit how happy people can be, sitting on the porch with the lights off for whatever reason, enjoying themselves, each other, and the night sky.

The Voices of the People – –

This weekend I am going to Burr Oak in Gloucester, Ohio to attend the Inside Appalachia Folkways reporters annual retreat.

We’re going to play with soundboards, learning how to make people’s voices mesh with the soundtrack of their stories. We’re going to get advice on fading in and fading out and when to tell the story in our own words and when to use our informants’ voices.

It’s fascinating. I’ve been involved in storytelling as a profession or job skill since high school. I always knew the sound of a human voice (or the flying fingers of someone telling in sign language) was one of the most powerful forces on the planet. Get the right voice in the right accent onto the right public platform and you can change the world—for good or ill, so be careful. In the last ten years or so I’ve taught a lot of health officials and students how misinformation flows through astroturfing, and how to distinguish between honest voices and agenda pushers.

Storytelling with a soundscape is awesome. It gives you a new palette of tools. The human voice needs to be enhanced–but not overwhelmed–by sounds that support the story. A pottery wheel spinning beneath a woman talking about the joy of clay creations. The slide of yarn over a crochet hook is so slight a sound we don’t tend to hear it in the noise of our day. There’s a metaphor in there. I’m not going to insult your intelligence by pointing it out.

So I look forward to a glorious weekend of relax-and-learn with fellow storytellers in the soundscape world. And I feel so lucky. It’s a great gig, finding interesting concepts and amplifying them to other people who can hear themselves described in the Appalachian voices (and pottery wheels, and crochet hooks et al) and say “that’s like me!” It is a powerful thing to affirm people’s identities in a big way by finding and producing a story that might have gotten subsumed in the larger noises of the world.

More from Wendy next week