Separation – – – –

Wendy did Wednesday, so Jack does Friday – –

My friend Dirk, who engineers my radio shows often talks about the ‘two degrees of separation’ in folk music – everyone has some kind of connection to everyone else!

I experienced this graphically over the last few days – –

Another friend – Randy – owns ‘Oracle Books’ nearby and I hosted a Burns Night there last Saturday celebrating the anniversary of the birth of Scotland’s beloved National poet. I said that I saw significant parallels between the lives of Burns and Bob Dylan – both from rural areas, went to the big city, were lauded by the ‘glitterati’, then dropped when they no longer fitted in! Bob has frequently said his favorite song is ‘Red, Red Rose’ by Burns!

Paul Clayton

I had taken a few books to show, including one called ‘The Merry Muses of Caledonia’ – a very bawdy collection of songs that Burns had heard, written down and was published after his death.

Oracle Books also sells used records and to my surprise Randy messaged me a few days later to say an LP of ‘The Merry Muses’ had just come in to the shop. The performer was Paul Clayton which made another connection. Clayton was a folklorist and singer living in New York when Dylan arrived there in 1961 and they hooked up. Dylan, of course was a sponge who soaked up everything he heard and incorporated lots of that in his songs. Clayton sang a song he’d collected called ‘Who’s gonna tie your Ribbons when I’m gone’ – Dylan used the tune and some lines for ‘Don’t Think Twice. It’s all Right’.

My connection to Dylan? I was at his concert in Edinburgh in 1966 just a few days before the infamous ‘Judas concert’ in Manchester, England.

So maybe you are at the center or maybe you’re just circling around – – –

Me, Bob, Paul, Randy, Dirk, Burns – let the circle be unbroken – –

The Times Ain’t a-Changin

Jack thought this might be appropriate for the times – –

Is there for honest Poverty
That hings his head, an’ a’ that;
The coward-slave, we pass him by,
We dare be poor for a’ that!
For a’ that, an’ a’ that.
Our toils obscure an’ a’ that,
The rank is but the guinea’s stamp,
The Man’s the gowd for a’ that.

What though on hamely fare we dine,
Wear hoddin grey, an’ a that;
Gie fools their silks, and knaves their wine;
A Man’s a Man for a’ that:
For a’ that, and a’ that,
Their tinsel show, an’ a’ that;
The honest man, tho’ e’er sae poor,
Is king o’ men for a’ that.

Ye see yon birkie ca’d a lord,
Wha struts, an’ stares, an’ a’ that,
Tho’ hundreds worship at his word,
He’s but a coof for a’ that.
For a’ that, an’ a’ that,
His ribband, star, an’ a’ that,
The man o’ independent mind,
He looks an’ laughs at a’ that.

A Prince can mak a belted knight,
A marquis, duke, an’ a’ that!
But an honest man’s aboon his might –
Guid faith, he mauna fa’ that!
For a’ that, an’ a’ that,
Their dignities, an’ a’ that,
The pith o’ Sense an’ pride o’ Worth
Are higher rank than a’ that.

Then let us pray that come it may,
As come it will for a’ that,
That Sense and Worth, o’er a’ the earth
Shall bear the gree an’ a’ that.
For a’ that, an’ a’ that,
It’s comin yet for a’ that,
That Man to Man the warld o’er
Shall brithers be for a’ that.

Brothers and Sisters for a that – – –