For Those Who Have Ears to Hear

My day job took me to DC. I’m on the 12th floor of a hotel, looking out over the city, which had a snowstorm. Overnight, it looked like the little pellets inside a snow globe, and in the lamplight as I watched the snow fly, it was beautiful.

I stood looking out my hotel room window, and thought, “There are two men out there who have done the same, only with acquisition on their minds. They don’t see a strange mix of buildings and beauty; they see something they feel they own.”

Tuesday, the meetings I attended talked about how to talk to the legislators regarding rural health policy (think the sexy topics of Medicare and Medicaid) which we will do today. I am at the National Rural Health Association’s annual Policy Institute, since you ask.

Tuesday, several men in suits told us which words to avoid, which words to focus on. What no one discussed much was, how do you talk to people who work for someone who considers us serfs? Who looks out over the city and doesn’t think, “how can I make this place better,” but “how much can I enrich myself from this place?”

Maybe we didn’t discuss it because there is no way to get into that mindset and come out whole.

There was one interesting group discussion. Someone pointed out that “rural health” can be framed as a national security issue. If we can’t make them feel compassion for the loss of places where women can go to have babies, perhaps we can shock them with the potential loss of their own safety and security? We supply the food, the raw materials that become power (as in electricity, don’t stretch that into a metaphor, k thanks?). We supply the soldiers that fight wars and “keep” peace. Rural is vital to the proper functioning of the United States.

Mmhmm. Today is the day we go talk to the elected men (and some women) in suits, who work for the men in suits looking out their windows at what they believe they own. Those elected ones, they must be in some confusion at the moment. One hopes. It depends on why decided to occupy an office in the capital in first place. Did they believe they could make the world a better place, or that they could better their worlds? That they could do both with integrity and good results?

Moral high ground is slippery, and sometimes it walks through dark valleys. Good luck, elected officials. You’re going to need it.

But so are we, the grass roots non-profits and other care providers who find ourselves suddenly framing arguments without using certain words, and shining bright lights on how lucrative we are to their agenda. We’re being drawn into their kind of fight, and it would be naïve to believe that we can refuse to do that with any good results for the people counting on us to get them care.

I am praying to hold onto some integrity, intelligence, and a sense of humor today. Humility may come in handy, too. When people speak different dialects, you need to speak theirs to get things done. It’s called code switching, changing your accent and vocabulary to make communication more clear. It doesn’t usually have a moral component.

Except this time. Here we go.

Old Dogs, New Ticks

Recently I accepted the opportunity to produce stories for Inside Appalchia’s Folkways Project (Public Radio). While the idea of finding interesting people doing exciting things, interviewing them, and then writing it up is pretty familiar to me, this involves sound.

Learning a new skill after one has been teaching for 20some years, writing for 15, and generally living life recycling and upscaling existing abilities in more pontificating and visible ways, can be…. Well, what word shall we use? A challenge? Fun? Humbling? Time-consuming to the point of losing interest in the newest installment of Bridgerton? Throw-things frustrating?

Yes, those words will do nicely. And now, thanks to some help from our friends Dirk and Martha Wiley, I know how to cut them, splice them, make them more equal in sound, remove background tics and other noises from them, and mix them into a multitrack recording.

But it isn’t easy. Think learning cut and paste long long ago, back in Microsoft Word: control c, control v, control y and z. Except, in the sound software, when you push control V everything highlights and then some sound lines disappear. Have they just gone for a coffee; will they come back? Push control y, and watch this big gaping hole distort with upping decibels until you realize what’s happening and yank your finger off the control. Perhaps that’s what y stands for.

Worst of all, there is the razor tool. You don’t have to push control r, just r will do. And if you should press it accidentally, it will still do. Again and again and again, slicing not only the line of sound you are working on (aka a “track”) but the ones above and below it, because after all you are multitracking. Not to be confused with multitasking. Let your concentration slip for one second to take a slug of coffee, turn your head to see why the dog is barking, and your entire clip is gone. G-O-N-Error message gone.

We’re not going to talk about what a cat walking across the keyboard can do. That’s five minutes of tape I’ll never get back again. The cat has been rehomed.

Sound is not quite like print, except it kinda is. The squiggly lines get bigger when someone is talking louder, and you can just about tell when someone is starting a sentence. You just can’t read the sentence, you have to listen to it. To help with this there are j-k-l. J goes backwards, l goes forwards, and k stops. So don’t panic and leave your finger in j while trying to catch where you should cut the tape, because you will hear every backward masking message you were ever warned about by censors looking for problems. And if you SHOULD panic and forget to remove your finger from j, you can eventually make up for it by clicking l three or four times. Which speeds up the forward progression. A lot. K-stop, but you’ll be five minutes up the road. Sorry, track.

This too shall pass muster. I will learn. Dirk is a good teacher, my motivation is high. Roll tape – no wait, go back…..