The Monday Book

Jack’s guest Monday review (on Tuesday – just) –

Ian Rankin – The Rebus Series

Not so much a book review, as an author review this week –

I’m not usually one for novels, preferring biographies and memoirs for the most part. But I do have just a few novelists I like and one of those is Rankin. I hasten to add that it’s not that I like every book he’s written, but the Rebus series do stand out, in my opinion.

It’s probably because both Rankin and his character have their roots in West Fife (my home territory) but are resident in Edinburgh (a place I know well). In the series Rebus frequently revisits Fife and the Edinburgh that forms the backdrop to most of the books is very lovingly and accurately portrayed.

The books are well written, full of believable characters and with plots that grip you to the last page. This is noir detective with a Scots accent and firmly in the world of Philip Marlowe.

The Edinburgh he describes is a mixture of the historic center after dark and the run-down housing schemes on the outskirts. His plots are always relevant to the times and clearly involve  a lot of careful research.

Rebus is a complex guy with a troubled personal life, who is looked on with suspicion by most of his colleagues and especially by his superiors. During the course of the series he moves from being a regular working cop to the branch that deals with internal matters such as bribery and collusion with criminals and gangs.

All the books except the last one have been made into TV dramas, with half being done by the BBC and the other half by ITV. The casts were different for each series and, although presenting contrasting interpretations, both were excellent.

I have read other novels by Rankin that were not part of the Rebus series and didn’t find them as compelling I’m afraid.

 

The Monday Book

Jack’s Guest post – The Swan Thieves

Wendy and I listened to Elizabeth Kostova’s 17-disc novel as a recorded book to entertain us from Big Stone Gap all the way to western Wyoming and part of the way back. We like big books for big drives, and we cannot lie. Actually, I believe that the voices made a big difference and held our attention well.

As for the story – I thoroughly enjoyed it. The format is the tried and trusted multi-strings that begin as if they are completely unrelated, seem to develop without any obvious connection, and then finally resolve with all loose ends satisfactorily tied up.

The tale opens with a successful artist being arrested for attempting to damage a painting in a New York art gallery and continues through the voices of him, his ex-wife, ex-girlfriend, a 19th C. French artist and her uncle, and mainly the opening artist’s psychiatrist.

I’ve often found that this style of book loses me as I try to keep up with the different strands, but this time I had no problem and I felt gripped all the way to the end. The story is set mainly in New York, Maine, N. Carolina and Paris as well as 19th C. Normandy. Among other elements of enjoyment, the author really describes them well.

I suppose if I have any quibble at all it’s that the different threads of the story were rather abruptly brought together at the end, almost as if Kostova. got fed up and decided she’d had enough. I would have preferred a gentler landing perhaps. Then again, a book that entertains for 17 hours of driving is holding its own.