Construction Ballet

Construction workers have been busy installing a new sewage pipe in the streets around Tales of the Lonesome Pine. But the more they close off sections of street, first on one side of the house and then the other, the more it feels like they’re building a giant moat around the bookstore.

On Wednesday Jack moved the pickup to a parking lot across the street while men and women in hardhats tore a deep channel out of the road. They worked at a breakneck pace and had laid the pipe and covered it with a new layer of gravel by late afternoon.

The chaos and noise seemed to be over, so I moved Jack’s pickup back in front of the store. Big mistake.

The next morning saw the construction shifted down the block, with Jack’s truck now a key part of the roadblock cutting the street off to traffic. Cones lined up diagonally out from the back bumper. A new border was drawn.

“So what’s the problem?” you might ask.

With the pickup forming a new boundary for construction, it became the line inside which immense yellow machines roared and tore at the street. I sat and watched at the window as they spun out gravel with a backhoe, all within inches of the truck door. It became a kind of performance piece, with each terrible machine whizzing as close to the pickup as possible while other construction workers admired the precise daredevilry of the driver.

For several hours they played chicken with the parked truck. I got up every few seconds to look through the window, fully expecting to see a massive metal claw lodged in the truck’s roof. I began chewing every pencil in sight.

Finally I couldn’t take it anymore and went out with the keys. “Can I get that out of your way?” I said. One guy glanced over and insisted it wasn’t a problem, then turned back just in time to marvel at a bulldozer that had swung its blade up within two inches of the door while simultaneously spinning into a 180 turn. They were like guys watching skateboard stunts, except with a skateboard that weighed 8000 pounds and could crush a refrigerator. And with the pickup boxed in by a dump truck there was nothing I could do.

About an hour later a construction worker came in to the store. He took off his helmet, as if about to offer condolences. I tensed and latched on to the table with clawed hands.

“Can you flassdiscommoe?” he said.

It didn’t sound anything like “move your truck” or “we destroyed your truck” or “your truck is about to explode,” so I didn’t process it at all. My brain could only understand the word “truck,” and he had failed entirely to oblige this temporary insanity.

“You want me to move the truck?” I asked.

“No, no. Can you flush the commode?” he said. I breathed again. It had nothing to do with the truck. With that settled I moved on to the task of unlocking why he wanted me to flush the toilet. After some confused back and forth the truth came out: they needed to test the new pipe.

They were done for the day. And as the toilet water spun down the drain with my test flush I knew that Jack’s truck would be safe. The truck and I had survived the construction ballet.

Surrounded Yet Alone

We saw you at the stop light, and Lexington’s afternoon traffic being what it is, kept pace alongside you for the next two miles. You cried the whole time. Not big heavy tears, but the steady sobbing of someone with nothing left inside.

It’s hard, these moments of human disconnection, when you can clearly see someone in despair, but can’t do anything about it except send up a quick prayer. I don’t know your name, but asking God to comfort “the lady with the blond pageboy in the silver Honda thing” was probably specific enough.

My husband said he hoped your crying was to do with the fender on the front of your car, which looked recently and only slightly crumpled, but he also thought what I did–that you looked as though you’d been weeping for a considerable amount of time. If you’ve lost something–a loved one, a marriage, a job–we hope you find solace as and when you can.

There isn’t much any of us can do in those moments when we’re caught in the cross-hairs of each other’s sight lines, when we see something we know we ought not to be seeing, but at the same time we can’t look away–not so much from voyeurism as the common instinct to comfort a fellow human in need.

In part we wanted to make you happier because we ourselves were so happy: four friends in a car, Jack and me with our Frankfort pals Charles and Mary, Mary and I both newly published authors with books doing well in the charts, on our way to give a signing and book talk at the massive and gorgeous Joseph Beth Bookstore in Lexington Green Mall–a place in which new authors dream of being allowed to sign.

We couldn’t do anything for you, and you never looked ’round. Likely the grief was too deep for you to care that you were being watched. If we had done as Jack suggested and hopped out to knock on your window, ask if you were okay, we probably would have scared the shit out of you. We didn’t want that.

So we left you, crying in your driver’s seat in the madness of the 5:30 Lexington traffic, surrounded by humans encased in steel, and you so utterly alone. We’re sorry, and we hope whatever it is passes quickly.

Sometimes, that’s the best we can do for each other, isn’t it?