The Monday Book: THE RED ADDRESS BOOK by Sophia Lundberg

This week’s Monday Book is reviewed by Kate Belt

 

red addressMany recent novels have dealt in a comic way with the theme of older folks rebelling against the loss of independence and beating the system that infantalizes or abuses them. This is not that novel, though it is not without humor After Wendy recently reviewed one of those and didn’t love it, I suggested this book as a more satisfying read. That’s how I find myself writing this review.

 

After some medical incidents, 96 year-old Doris cannot return to her Stockholm apartment and mostly independent lifestyle, but resists being taken into care. Her beloved niece, her only living relative, comes from California to  support Doris in whatever comes next. She finds an address book in her aunt’s home with decades of entries. It is up to date. Many names are crossed out and noted as “dead.” She also finds a box of vignettes written about each person in the book. These shed light on Doris’ life history, spanning many decades from pre-WWII to the present.

 

After her dear father died, Doris’ mother sent her into service at age 11. Doris’ employer eventually moves to Paris taking her along. An agent from a top modeling house notices  the tall, beautiful, 13 year-old Doris. With her mistress’ blessing, she becomes a runway model, leading to adventures, travel, and opportunities far beyond the station to which she was born.

 

This novel has the common themes of ageism, life review, perserverance, courage, and family betrayal, . Lundt addresses them in a fresh and original narrative. It is almost equally atmospheric, character driven, and event driven. Lundberg’s story telling and writing are excellent. Character development goes deep. It held my attention from beginning to end. The one weakness in the novel is the niece’s relationship with her children and husband in California waiting for her return. That part of the narrative and its resolution  didn’t ring true for me, but they are a minor part of the story that could have been mostly omitted.  I still loved the book and recommend it because it kept my attention from beginning to end. If you love novels with historical context and strong women navigating life’s challenges, this is for you.

 

I believe this book would have strong appeal for anyone who loved Alyson Richman’s The Lost Wife or Broken for You by Stephanie Kallos. It might also be for fans of  Kathleen Rooney’s Lillian Boxfish Takes.a Walk, but with less comedy.

The Beat Goes On – –

Once again Jack scrapes in under the wire –
Back when I was on the teaching staff at Swannanoa Gathering Celtic Week outside Asheville NC, one of the students who always attended my classes was Stefni. She sang in a choir in Pittsburgh that specialized in Eastern European music and she made their costumes. The last year I taught there Stefni didn’t show up and I wondered why. A few months later I received an email from her husband explaining she had died of a rare lung disease. That was very sad, but then he told us she had left her music and book library to us in her will! We were astonished and drove up there a few months later.
Sorting through her stuff was difficult and we came to an agreement to sell anything we didn’t want and split the proceeds. But that still left us with lots of stuff that never got put anywhere easily accessible.
Following our recent house move I’ve been sorting through the LPs and CDs from her collection that had never been properly stashed and I’ve been discovering amazing things. Mostly very rare English, Scottish and Irish recordings in excellent condition. It’s clear from the stickers on them that she was an avid collector and appreciated what she was finding.
So my upcoming radio shows will feature much from Stefni’s collection and keep her very clearly in my mind.
There’s no room here to list all the stuff, but it ranges from everything Ewan MacColl and Peggy Seeger ever recorded to very obscure albums by Robin Williamson of the Incredible String Band.
Of course the books included full first editions of Child’s ‘English and Scottish Popular Ballads’, Bronson’s ‘Traditional Tunes of the Child Ballads’, and Sharp’s ‘English Folk-songs from the Southern Appalachians’.
I hope dear Stefni Agin is looking down approvingly at the continuing life of her amazing collection as I try to do justice to it.