The Monday Book: NEWS OF OUR LOVED ONES by Abigail DeWitt

newsI met Abigail at this year’s Festival of the Book, where we were both featured authors. She sent me a review copy on request for the Journal of Appalachian Studies, since she’s an author from NC, part of our jurisdiction. I’m the book editor for the Journal, although I am relinquishing the position in 2019. (If you’re a member of ASA and interested, please contact the Journal editor!)

Before passing the book on for review, I gave it a read myself. A novel in the form of multiple short stories among characters tied together by war experiences in France and in America after World War II, Loved Ones tends to focus on the family women. The first story is intense and even violent, not in keeping with the gentler, more measured and internally-exploring tones of the rest. Altogether, they trace from the loss of the family home to why the granddaughter raised in America continues to fixate on tragic events from family history.

Witt uses some lovely poetic language, but it is her women, from a small child to a grandmother, who bring to life the experiences of ordinary people in extraordinary circumstances. A gentle, breezy quality suffuses her descriptions with a one-step-removed sense of what horrors the stories may encompass or even hide between the lines.

In Mathilde, for instance, a girl is as much in love with the mother of her lad gone for a soldier as she is the boy himself, perhaps even more as the mother notices and returns affection, accompanied by advice in beauty tips and attracting men. Witt’s description of Mathilde as is lovely in itself, the kind of woman almost translucent in her paleness, made of steel beneath the skin.

I enjoyed News of our Loved Ones as a set of short stories, telling the story of one family and its scattered members, primarily because of Witt’s light touch on a dark time in human history.

That Moment When….

Last night Deborah and I did our book talk at Arlington Central Library, DC. We’ve done these many times; her memoir Counting Down is a deep dive into a personal adoption story, while my book Fall or Fly is journalism storytelling about the system as it operates in rural Appalachia. cover

We’ve fielded many questions during our 20+ talks together, and at almost every venue–library, bookstore, adoption expo, whatever it was–foster parents have been part of the audience. In Asheville’s Malaprops, a newly licensed couple sat on the front row, hoping their phone would go off during our time together. (It did, but it was a sales call. You never saw so many disappointed audience members.) At Quail Books in NC, parents asked about how to help their 11-year-old daughter communicate in safety with her birth mom.

Last night, two foster parents who had already read Fall or Fly expressed appreciation for its straight talk about two subjects the prep classes and society in general tend to avoid: love and money. One woman talked about how, the first time she held her first foster son in the middle of the night as he cried, she had a “freak out” moment because, “I had no idea who this kid was. He didn’t smell like my birth children, he didn’t react the way my birth children did, he didn’t know me and I didn’t know him, but here I am with him in his onesie and me in my robe, trying to tell him it’s okay and he can sleep safe. There’s nothing about those classes that can get you ready for this. Finally, I don’t feel like a failure. I know other people had this feeling too.”counting cover

Another foster mom was struggling with the fact that the adoption agency had presented her with a “perfect match,” but she and the teen girl were struggling to know one another. “No click, I guess, is the best way to put it. She was perfect on paper, everything I wanted. And like the woman in your book says, ‘You don’t get to choose your bio kids for the qualities you want most. They are yours, and your responsibility.’ So I don’t know, do I take it as a job now for a future of love, or will love never come?” She paused, then turned to me. “You have no idea how grateful I am that someone has talked about this in print.”

As a writer, there is nothing in the world so rewarding as hearing someone say that. That a person has found themselves in your words, identified and no longer alone, is the most energizing thing an author can hear. I’m glad you don’t feel so isolated any more, that the stories are out there, and that people are hearing them at last.