The Monday Book: KEEP YOUR MOUTH SHUT AND WEAR BEIGE by Kathleen Seidel

I am a sucker for character-driven plots. This one was fun because it set up a problem not so often discussed in latte lit. And also not universal. I myself have never been the mother of the groom, but Seidel’s subtle humor and wicked insights made me feel empathy for her narrator’s plight.

This book has a cast of thousands: two families, a new girlfriend, even a snarky nasty prima donna writer. And they’re all fun. Some are omnipresent, some are thrown in as plot devices, but each makes their appearance in ways that elicit sympathy or condescension.

The basic plot is, of course, the wedding. But the wedding is complicated by one family being wealthy and the new girlfriend being a social climber. And the wealthy family has a special needs kid. And the narrator is having a hard time with her ex-husband’s social climber taking over wedding plans. The narrator (Darcy) has a streak of do-gooder to her that keeps her from being too perfect as she tangles with emotions and attitudes and tries to maintain her son’s needs, her own sanity, and the mental well-being of other children who surround the wedding and maybe get a little less attention during this time. Darcy can’t stand not being needed.

It was a fun read, the kind of relationship-driven character novel that makes you smile when you recognize a personality and laugh when your least favorite gets a comeuppance. Which they all do at one point or another. Read it at the beach or on a plane, before a big family wedding–or maybe, if you have a wicked sense of humor, just before you vacation in the Hamptons. There’s a lot of “poor little rich people” observations in the book.

Two bouquets up for Keep Your Mouth Shut and Wear Beige.

The Monday Book – Bob Dylan, Performing Artist, 1960-1973

Monday Book review by Jack Beck

Bob Dylan, Performing Artist, 1960-1973, The Early Years. Paul Williams (1990 Omnibus Press)

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Regular readers of this blog will already know that I’m a big fan of Dylan and his music.

This book is both interesting and frustrating. It’s well written and researched and Williams gives due credit to other writers who have covered the same subject and time period. But the more I read, the more it seemed to be as much about the author as about Bob Dylan.

It wasn’t until I got almost to the end that I discovered that Williams had been a rookie cub reporter on a local newspaper in the early 1970s and was able to interview Dylan. He says that Bob was relaxed and straightforward and not doing his usual enigmatic and obscure stuff. That’s fine, but I’m not sure it necessarily gives you any special insights!

At various points Williams puts Dylan on a level with Shakespeare, James Joyce, Beethoven and Picasso. I think that might just be over-egging things a bit.

The book is written chronologically as the title suggests and Williams has certainly covered the period in depth, including both commercial and bootleg recordings as well as un-recorded live performances. But it’s in between this valuable information that he lets loose with his personal and (I think) overblown analysis.

Despite all the careful research I did discover one surprising omission. Williams spend a fair bit of time on Dylan’s 1966 world tour which ended in the UK. He lists the various concerts around the country but misses Edinburgh. I know it’s missing because I was there and have an excellent recording of that night!

So – a bit of a mixed bag, but for died in the wool fans well worth a read!