Category Archives: Sarah Nelson

The Monday Book: PEACE MEALS by Anna Badkhen

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This book drifted into our shop and I read it on and off throughout our recent Chilean travels. It was a great choice for travel reading because it is easy to dip into, chapter by chapter. Badkhen writes in newspaper articles, each chapter complete in itself and pretty self-contained. People looking for a start-to-finish story may not enjoy that so much.

I liked that it was basically a series of short stories themed around food: how hard it can be to get it in war zones; how different getting it is depending on your nationality, ethnicity, and place of eating at the time; how differently mindful of food people are in different countries; how good or bad it tastes depending on why you’re eating it, with whom. Psychology meets food in her thoughtful writing, but she is rarely sentimental. There’s a chapter in which she fights with herself after lambasting her son for wasting food growing in their garden, trying to decide how much of the world she wants him to understand at a young age, trying to figure out whether other people’s food needs influencing her behavior really makes a difference, or is just a feel-good sop.

Recipes accompany each chapter, but I’m not a cook and skipped them. If you enjoy trying to make different types of food, the recipes include where in the US you can get hard-to-find ingredients, or good substitutes for them, which I imagine real cooks would appreciate. Me, I stick to devouring words and ideas, and this book is replete with both. It’s not just that she wrote about her pizza in Iraq, or the hospitality of those with nothing handing out half of it to guests (her favorite meal of all time was a handful of dusty green raisins shared with a man who poured half of his supper into her palm). It’s that between those descriptions she does some thoughtful investigation of her own mind and comparison to other experiences.

In other words, this is an insightful and often analytical book about the emotions and experiences that surround food, in places ranging from overstocked to seriously shortaged. If that sounds interesting to you, you’ll love this book.

The Monday Book: MY NAME IS ASHER LEV by Chaim Potok

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I discovered Potok in high school, and entered a world very different from my own. (And isn’t that part of why we read, to find the places where things are so very different, yet common threads run through them?) Hasidic Judaism and big cities are neither one familiar to me, and yet the points on which this story turns are accessible because they’re based on human connections. What I read as lovely background, people from other communities and cities would read as familiarity; perhaps Potok’s genius lies in depicting a world so well, people from both sides of the window can see it without distortion.

Potok has a lovely way of just telling his story, and letting you think what you will. He almost writes like a literary television: here is the scene. What, you don’t understand the facial expression on the protagonist? Well, figure it out.

I really, really like writing that gives the reader his/her own sovereignty. Asher Lev is about a brilliant kid who, if you want to put it in simple terms, was kind of born into the wrong family. Except he wasn’t. They love him, but he’s… wrong for their way of life. He’s a very gifted artist in a family that doesn’t even have pictures in the house because of strict beliefs. His genius leads him to create a division in his family that causes all sorts of things, including a betrayal of his religious identity and, ultimately, his parents. He betrays his father by painting his mother, while his whole life is one long, slow betrayal of her, as she stood between the two of them and helped her son achieve greatness. In doing so, she gave him the tools to cut his father to the core. It’s an amazing story.

But the whole story is told from Asher’s point of view, much of it as a child, so it flows past in the background while he concentrates on making art. He’s something between a straight shooter and an unreliable narrator. When his parents won’t buy him paint, he takes him mother’s coffee and cigarette ashes and uses them with pencil to create a color effect, without recognizing what his father sees, watching him do that. Did you see the scene in the film Billy Elliot, where the dad–opposed to his son’s dancing all this time–watches him break into dance in their kitchen, and gives up?

Asher is a sickly kid, but his mom is pursuing a PhD at the behest of the Reb, and his father is deeply involved in politics and even some clandestine missions on behalf of the community. None of which this child cares about. He’s painting. It makes an interesting read, and a conflicting experience as to whether Asher is a heroic protagonist or not.

The story reminds me a little bit of an essay called “The Monster,” about what a horrible person Wagner was and how incredible his music is. Asher Lev is a book sort of like Vanity Fair, one of my other favorites. It has many heroes and none.