An American Stranger

Jack fails abjectly this week – Wednesday post on Friday – –

This post is about the attitude of some Scots towards Americans and why –

Wendy in Scotland

When Wendy came to Scotland twenty five years ago and we married, she was finishing her PhD in Folklore from Memorial University of Newfoundland. She had worked for years as a community based storyteller and her dissertation examined professional storytellers in Great Britain, Ireland, Canada and the US. When she arrived she set up a group non-profit called Storytelling Unplugged with local storytellers that also used storytelling in the community including a children’s’ hospice, but began to encounter some problems from the cultural establishment. This was partly anti-American, partly professional jealousy and partly because I had recently divorced and (wrong) assumptions were made. Although Wendy was creating more storytelling opportunities for more storytellers, the anti-American sentiment during this expansion even included “don’t all Americans want everything bigger?” She got tired of it and turned to writing.

Colin in pensive mood

My old friend Colin moved from Aberdeen to Fife in the 1970s and we became compatriots on the musical scene. A fine singer who had helped organize the Aberdeen folksong club, he had driven buses there during his summer vacations. So when I started my small group tours of Scotland he was a natural to drive the seventeen seat minivan. But he was a retired teacher of English Lit in the local high school and then of communications in the community college and had a keen ear for language. Having lived in the US for a while I had learned to ‘code-switch’ between British English, US English and Scots and Colin very quickly learned to do the same. He made many long term friends among my ‘tourists’, although I could never persuade him to come and visit here. Despite his fondness for Americans, he never cared to see America.

Mike in contemplative mood

Another old friend was Mike who had played keyboards, pipes and whistle in my folk band. He did visit us for three weeks and charmed everyone he met. He had rented a car for the duration of his visit and delighted in getting out and about, even getting lost a couple of times. He was happy to play whistle and speak some Gaelic to a class I was teaching at the time. Although a devout Catholic he was very ecumenical and while with us he attended our Quaker Meeting, played a piano prelude at the Presbyterian Church and was mistaken for a visiting Priest at the Catholic Chapel. Once Mike went a day journey that had him asking directions everywhere, and everywhere he asked, people offered him hospitality if he didn’t think he could get back that night!

What to make of all this?

Well – Scots abroad certainly seem to find welcome signs wherever they go, and I’ve definitely experienced that. Whereas Americans abroad often find go home signs – particularly if they’re seeking to settle down. Scots like Colin and Mike were willing to ditch any prejudices and simply meet folk as they found them. The only time I ever encountered any hostility in the US it wasn’t cultural or even ant-immigrant, although it could have been seen as that. Just like Wendy in Scotland I ran up against someone who felt their little world was being challenged and their piece of the pie might be cut a little smaller, rather than enlarging the pie.

Isn’t that interesting? Of course it has no relevance to anything happening in the world today, or in America….

Vive the Auld Alliance

Jack makes it in time with his guest Wednesday post – –

This week is the 35th anniversary of the founding of Greentrax Records based in Edinburgh and the brainchild of Ian Green. There’s plenty on-line about the history of the label and how it was built over the years, but here’s some personal connections.

I first met Ian when he was still in the police and running a folk club called ‘FuzzFolk’ in the centre of Edinburgh. Later we met again when he was involved in the annual Edinburgh folk festival. After the label was up and running I was one of the lesser known performers he contracted with for an album of songs.

But there’s a far more interesting connection – –

I helped start a folk band called ‘Heritage’ in the mid-1970s and in the early 1980s we recorded music in my living room which we had copied to cassettes to sell at gigs. One of the cassettes wound up with Ian and he re-labeled it and put it out as a GreenTrax album.

A couple of years later he was attending an industry fair in Cannes in France and met up with a guy who owned a company called ‘Playasound’ that specialized in music from various countries around the world. They didn’t have one for Ecosse (Scotland). What they did have were shops all over the world in French speaking countries.

So a recording made on a borrowed tape recorder ended up in shops all over the world and because Ian was always meticulous about paying royalties we started getting serious amounts of money. Yikes! We might have to pay tax – – –

We all knew the band was coming to an end. We had progressed musically but we had all moved on. But how to avoid the tax stuff? Use it in a final project. We had lots of really good stuff, so invest in a final recording. Our first studio recording had been at Temple Records with Robin Morton, so we decided the final one should be there too.

A few weeks ago I got an email from Ian to say that he would celebrate the anniversary by re-issuing the very first compilation album from the 1990s – ‘Music and Song of Scotland’. There’s a track from my songs album and another from our percussionist Lindsay Porteous, but there is also one from that faraway living room recording.

Here’s to many more years of Greentrax – – –