Murder In….

Jack and I came out of our vaccinated cocoons at Christmas to do a few fun things. After visiting friends, we organized a journey on the Great Smoky Mountains Scenic Railroad, four hours round trip, private dining table, masks.

Milk: it does a body good

The night before, we stayed in a charming little motel of brand name out just between Bryson City and Cherokee. I got in a swim before the pool filled with small humans, so all was well. Jack and I spent a pleasant evening catching up on A French Village, which we’ve been enjoying through the holidays, and went to bed early.

Or tried to. The sounds of little humans and their celebrating families around us made clear we were in a family-friendly hotel. No worries, just use the earplugs and be happy for humanity.

The next morning I arose at my usual 6:30ish and went to the lobby for coffee. The desk was closed, something somewhat unusual in a motel; the signs plastered all over the plastic sneeze guard defending why it was closed and what guests could do about it were oddly charming.

A guy in a band shirt and a musician’s fedora–looking very much like a young John Hirt–emerged from the employee door in the small kitchen area. The coffee was ready, he said, but there were no cups.

He smiled apologetically. “I don’t know where nothing is. I’m just helping out until they can get somebody. Nobody can get anybody right now.”

I smiled apologetically back. “It must be hard these days. No worries; I think there were cups in our room.” On return I asked if he’d mind if I sat in the breakfast area and typed on my computer, if I’d be in his way. “Lord no, ma’am, let me put those chairs down for you. I’m just new, don’t know what to do.”

“You’re doing great and I’m sure the motel is glad to have you.”

I didn’t ask if he were happy that the motel gig was supplementing wherever he played acoustic guitar, and electric base.

Ten minutes later he had out the cereal, the bagels, and the jelly. He had unlocked the refrigerator that held yogurt and cream cheese (which had a note on it saying items inside were to be consumed only at breakfast). With a polite tip of his hat to me (an old-fashioned courtesy I found lovely beyond words) and what can only be described as a smile of relieved satisfaction on his face, he locked the staff door and headed off.

I surveyed the four jars of cereal, the coffee pots lined up in rows, and watched the first group of kids hit the breakfast area to discover what I’d been wondering about since he left.

There was no milk out.

The maids began arriving, all of them with beautiful west Jamaican accents. They may be a family unit; they are very kind women. Right after them came the next round of mom-and-kids. The first mom gave her kids toast and went back to their room. The second mom demanded the maids find milk for her children. The maids gave polite smiles and their English suddenly got very bad. When the Mother of Karens left in frustration, they turned and winked at me.

The third group went in search of someone. Young John of the Black Fedora was dealing with leaks in three places. “Milk” didn’t seem to register as quickly as “water.” When it finally did, you could see the look of disbelief on his face. He did not mumble “kids today”; he didn’t need to; his facial expression did it for him.

Apparently he hadn’t forgotten it. There wasn’t any. I have never seen a man deliver news so fast and vacate the premises. He is tall and has long legs. And he had “employees only” doors behind which he could retreat.

It’s a mad, mad, crazy world. I’m sitting in a motel lobby about to go on a pleasure excursion, watching parents cope with kids whose various responses to the Great Milk Crisis reflect a lot of different parenting styles. Some of them snuck quietly outside and got coolers which they trundled past envious others. Some of them shrugged and made toast. Two (parents) demanded to know why the motel didn’t have milk and how fast could they get it.

It feels like sitting in a microcosm of America. All hail the future, kids. Figure it out.

Irene and the Dancing Caterpillars

Zumba class is on Thursdays in a studio lined with mirrors.

The instructor Irene is a curvy woman, Indigenous from Mexico, who favors comedic songs. We love Irene; she makes Zumba so fun, you don’t notice you’re exercising. She makes us feel graceful and competent, like track stars.

Endorphins can be deceptive. If you actually look in the mirror as we collectively execute that Bollywood sweeping ankle uplift, foot flexed, well, some people, including you, might look silly. The men in particular are trying very hard to retain their dignity and their balance. These are connected.

Like all lifelong introverts, I excel at spatial orientation, so found the one place in the studio where I can see Irene but not myself in the mirror. Also, it is next to a fan.

Irene’s signature song is “Rollin on the River,” Ike and Tina Turner version. Anyone who knows that story recognizes the concert from which that recording comes is a famous one, because Ike beat Tina up shortly before. Tina talks about doing the song “nice and rough because that’s how we do things ‘round here.” Irene starts slow, going through the steps twice to make sure we have it. You can tell when the song is about to up tempo, because Irene starts grinning.

Then we’re off, flying triple speed through grapevines and stomps forward/backward, big wheel arm movements, and there’s no time to think, count movements, do anything except breathe, move, swing, stomp, turn, don’t hit your neighbor with the big wheel arm, grapevine.

The song moves so much, we wind up all over the studio. Which means we can see each other, all these women and two men trying hard to simply try hard. We wriggle and swing and look pretty much like sectional caterpillars attempting to exit cocoons after a large dinner. Sensible pageboy cuts and backs of balding heads swirl in the wrong direction as you realize you’re facing them when you should be facing away. They are laughing, but not from schadenfreude. From communal joy.

Not actual footage of the Zumba class

Because we’re not trying to turn into butterflies, we wriggling caterpillars. As Irene has told us, we’re already beautiful, skins of nine different hues shining with sweat as we fling curvy bulky bits this way and that. (Our melatonin runs the gamut from Nordic to Saharan.) I will add that Zumba feels safer since I found a great sale on sports bras. Before that, the big wheel threatened to beat me to death with my own breasts.

Communal joy is hard to come by these days. Maybe it’s easy in Zumba because we’re moving too fast to talk. Or because we all know it could be us next time, facing the wrong way against the tide. Perhaps we just like the idea of a bunch of men and women gaining power from an iconic “me too” moment song. Or how Irene starts each class with such enthusiasm: “Just keep moving and have fun!”

We don’t care which it is, just that it is. All hail Irene and the community of dancing caterpillars.