The Monday Book: WALKING ON MY GRAVE by Carolyn Hart

50065987_583494335446320_9215025291901009920_nThis week’s Monday book comes from Martha Evans Wiley, a fellow cat rescuer and margarita drinker. Here’s her review of Walking on My Grave by Carolyn Hart (actually a look at the whole series).

2017 Berkley Prime Crime

One of my great guilty pleasures is hunkering down with a new Carolyn Hart book, more specifically one in her Death on Demand series.  Hart’s written 26 cozies in this series, almost half of the more than 60 novels she has penned in her long career.

What I find most charming about this series is Hart’s gift for establishing a sense of place; set on Broward’s Rock, a wonderful island off the coast of South Carolina, each new book feels like coming home. Hart’s two protagonists, Annie and Max Darling, are transplants to the island having moved there when Annie inherited her uncle’s bookstore upon his mysterious death. Annie is compassionate to a fault –  her endless capacity to believe in the good in people balances well with her husband’s proclivity to be a little cynical. Her wonderful bookstore, the eponymous Death on Demand – “the finest mystery bookstore east of Atlanta” – gives Hart plenty of opportunity to show off her mystery knowledge, throwing loads of references to authors and their work, both past and present.

The latest installment, Walking on My Grave, follows much of the same successful formula that Hart has stuck with over the years. She is a master of the red herring, and it’s always fun to watch an enthusiastic Annie go head-long into impulsive schemes while Max tries to keep up with her. This time the story revolves around a rich older woman whose many heirs all have reasons to kill her – not the most original plot, but again, it’s the characters and setting that makes Hart’s work so much fun to read. She always includes a very handy guide to who’s who in the beginning, and often sprinkles sketches in the narrative to ensure that the reader isn’t left behind.

It’s not necessary to read  the series in order to enjoy it, but if you want to start at the very beginning, pick up “Death on Demand,” which sets up the setting and main characters. If you want to read just one, I recommend “The Christie Caper,” a heftier read than most of the others and a real treat for any Agatha Christie fan, or “Southern Ghost,” set in Beaufort, SC,  a wonderful trip to the old south with its dripping Spanish moss and antebellum houses.

As with any long-running series, there are some tropes – for a small island, there’s no end of people being introduced who are then murdered. Annie, Max and the gang don’t age at all, and they are curiously unaffected by any hurricanes or other weather events. But reality isn’t something I search for in a mystery, and I’m never disappointed in the adventures of Annie and Max. I’m already looking forward to my next trip to the island of Broward’s Rock.

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The Monday Book: NEWS OF OUR LOVED ONES by Abigail DeWitt

newsI met Abigail at this year’s Festival of the Book, where we were both featured authors. She sent me a review copy on request for the Journal of Appalachian Studies, since she’s an author from NC, part of our jurisdiction. I’m the book editor for the Journal, although I am relinquishing the position in 2019. (If you’re a member of ASA and interested, please contact the Journal editor!)

Before passing the book on for review, I gave it a read myself. A novel in the form of multiple short stories among characters tied together by war experiences in France and in America after World War II, Loved Ones tends to focus on the family women. The first story is intense and even violent, not in keeping with the gentler, more measured and internally-exploring tones of the rest. Altogether, they trace from the loss of the family home to why the granddaughter raised in America continues to fixate on tragic events from family history.

Witt uses some lovely poetic language, but it is her women, from a small child to a grandmother, who bring to life the experiences of ordinary people in extraordinary circumstances. A gentle, breezy quality suffuses her descriptions with a one-step-removed sense of what horrors the stories may encompass or even hide between the lines.

In Mathilde, for instance, a girl is as much in love with the mother of her lad gone for a soldier as she is the boy himself, perhaps even more as the mother notices and returns affection, accompanied by advice in beauty tips and attracting men. Witt’s description of Mathilde as is lovely in itself, the kind of woman almost translucent in her paleness, made of steel beneath the skin.

I enjoyed News of our Loved Ones as a set of short stories, telling the story of one family and its scattered members, primarily because of Witt’s light touch on a dark time in human history.