We pause from Jack and Wendy’s adventures in South Dakota/Wyoming to bring you this week’s The Monday Book.

Poetry isn’t really my thing but about twice a year we have a poet’s event in the bookstore. Last year we had Molly O’Dell as one of the poets, and I really enjoyed her work. Accessible, rhythmic, cadenced like local chat, nuanced and perceptive.

Molly sent me a copy of her recently published book of poems Off the Chart. I love pun titles; Molly is a doctor and director of a local health district, so many of her poems are about patient encounters, and her own experience with a mastectomy.

My favorite might be “Appalachian Pearl” and I’m reproducing the first half of it here so you can see how Molly combines the everyday to make things more than the sum of their parts. Punctuation indicates a new line, and where there wasn’t any I’ve used a slash, since WordPress is not conducive to lining out poetry:

I knew her grandmother, first woman down here to run an agency, and her mother, first to divorce. She carries their grit inside/behind her teeth, between the creases. She cuddles her child/like a bag of canning salt pulled off the shelf between vinegar and sugar.

I also loved “After he walks in to make an appointment,” about a guy with a bad rep she treats for a saw wound, after calling her grandmother to see if he’s safe. And the three or four poems about human dignity, often having to do with substance abuse and prescription seeking.

I don’t think you can get Molly’s book too many places, but you can order it from us or from her directly via FB. You might ask your local library to get in a copy; it’s from WordTech Editions, so can be ordered via wordtechweb.com, poetry editor Kevin Walzer.

And the last one I’ll mention here, a story poem called “First ER Shift,” when the senior resident asks Molly to stitch up someone, and she discovers it’s a woman who’s been slashed by a bottle. She’s a prostitute and the bottle was wielded by an angry client. The poem is less poetry than anger broken into pieces, and yet it’s very gentle in its matter-of-factness. O’Dell demands a lot from her readers, and offers even more. These poems don’t tell you what to think, they tell you what happened and leave the rest for you to piece out between the lines.