Operation Feather Ruffle

It was bittersweet, but it had to be done. My six chickens and five guineas needed to be rehomed.

I travel a good deal for my day job, plus book stuff, so I was constantly having to network friends to open the chicken pen after sunrise and close it at sunset. This takes some doing because all my women friends are as busy as I am.

If our handyman had not blown out, or if Jack were living here, keeping them would have been no issue. But flying solo in bird care was not to be, and so Operation Feather Ruffle was born. A friend messaged some family members that the birds were available, along with all their supplies, in return for “free eggs for life.”

At first Tristi (matriarch of aforementioned family) only wanted my docile and pretty Barred Rocks (black and white speckles) and Midnight Majestics (black all the way down to their feathered feet). But her husband’s dad had raised guineas as a child and when he discovered there were five for the taking, he made his case. So the whole flying family would move together.

But, how? They had a trailer to haul the coop and barrel of food, but what about the pickup bed as the place the chickens traveled in? Cat carriers, cardboard boxes? In the end we decided the bed itself, with a locking cover and tailgate, would be best.

So Tristi, her father-in-law, and her brother-in-law, arrived with the truck and trailer. I borrowed a small dog crate from a friend, and we began, ehm, moving the birds.

Have you ever heard a frightened guinea? They sound like malfunctioning typewriters and look like lethal feather dusters: all movement and noise, and there is no reasoning with them. After a couple of futile attempts at soft talk, we cornered three in the coop and left them no egress but the cage door. That was the first three.

And they had a lot to say about it, which agitated their colleagues back in the coop.

Next round, we cornered some inside the actual henhouse inside the wire enclosure. Which meant moving the ladder by which they entered. Which meant my hand collided with very fresh poop from a frightened chicken. I swear one of them snickered as we closed the hen house door. Revenge is sweet, even for poultry.

We extracted three more via the egg box lid, Tristi sticking her hand through the door until the chickens backed far enough away from it that I could grasp them.

They did not like this. But it was done safely.

And then, as we tried using the poop-covered ladder to corner two more guineas, one of the hens got loose. She streaked across the yard and efforts to catch her suggested she might actually try flying over our fence, so we went back to extracting the others in the pen. At one point I got a mouthful of guinea feathers as she decided her best bet was to attack full frontal, but her rather sharp guinea toes did no damage to my sweatshirt and soon she too was in the pickup.

As we trudged back from loading all but the escapee, we pondered strategy. A net? A human cordon? Then the brother-in-law, a lad of about 15, said, “What’s that noise?”

The escaped chicken had secreted herself inside the wee hen house in our absence, her place of safety.

Tristi reached in, hauled her out, and cuddled her as she squawked for help. “Hey there, missy. No, it’s okay, you’re safe, calm down,” she crooned, stroking the bird nestled against her chest.

And the bird did. Turned her head and looked Tristi and the eye and you could see her little bird brain working. “Might not be so bad, better than staying here by myself. Ok, lady, let’s go.”

Tristi carried her to the truck in her arms, where her sisters looked annoyed as she joined them. “How do YOU rate?” they seemed to say.

Thus were my sweet babies rehomed. And I know it is the best thing for them, but I admit to a good cry after they left. Tristi promises to share their school report cards, and let me know if any of them get merit badges in their Scouts program, handicrafts, physical sports, that sort of thing. I am assured of a Christmas card.

So there we are. The chickens and guineas are living in a Fowl Paradise. Tristi already had a dozen birds, plus some baby ducks. She sent pictures of my former girls’ accommodations. And reported that evening that they were tucking into the grain supply and the mealworm treats without a care in the world.

Sigh. It’s not exactly that I wanted them to miss me, you understand, but the yard seems empty this morning.

Country Cousins: 3 Books About Rural Living

Today’s blog is Wendy’s essay up on NPR Books. You can see it on the NPR page at the link below.

http://www.npr.org/2012/12/12/166479169/country-cousins-3-books-about-rural-living

December 12, 2012 7:00 AM

As a small-town girl, I love depictions of rural living when they’ve got a little style and sass in their makeup. Replete with enough quirks and quaintness to choke a mule, small towns are timelessly fertile ground for writers. But the best authors ignore — or even play with — stereotypes to tell truly compelling stories.

Cold Comfort Farm

Cold Comfort Farm

by Stella Gibbons

Paperback, 233 pages

Stella Gibbons has plenty of sass. She was writing in the 1930s, when the “local color” movement glossed all things rural with sentiment, and farms were described without even a whiff of manure. Her comic novel Cold Comfort Farm stuck a pin in the balloon of idyllic country living. Featuring the Starkadder family, the cast includes oversexed farmhands Seth and Reuben, crazy Great Aunt Ada in the attic, and their sensible city-dweller cousin Flora Poste, who is capable of “every art and grace save that of earning her own living.” In one of the loveliest meta-storytelling devices ever, Gibbons marks her best passages with one or two asterisks, for the reader’s enhanced enjoyment. This book makes me laugh out loud every time I read it, which is at least once a year.

Homestead

Homestead

by Rosina Lippi

Paperback, 210 pages

Fewer laughs and more tears come from Rosina Lippi’s Homestead. A series of linked stories, it chronicles six generations of women in an Austrian mountain village, starting about 1909. Her characters are drawn with casual grace, and her understated writing is insightful and beautiful. In one tale she describes the interaction between a man and a woman negotiating sexual politics, as “Francesco had feared to ask too much of her, and saw, too late, that he had asked too little.” Quiet stories, and gentle ones, they depict the inner longings and outer strength of mountain women everywhere.

Lest Innocent Blood Be Shed

Lest Innocent Blood Be Shed: The Story of the Village of Le Chambon and How Goodness Happened There

by Philip P. Hallie

Paperback, 303 pages

Through the influence of the charismatic pastoral couple Andre and Magda Trocme, the isolated village of Le Chambon became a “city of refuge” for Jewish people in Vichy France. Philip Hallie tells the story in academic language peppered with anecdotes and first-person interviews. Any small town has rivalries and factions, and these played into simultaneously creating sanctuary while dooming some rescuers. Le Chambon is part of that era’s larger story: the daily interactions of one small town set against the backdrop of hell come to earth.

These three writers reached into the enclaves of mountain villages, subsistence farms and human hearts — and gave us funny, sweet, sorrowful insights into small-town lives lived large.

Wendy Welch is the author of The Little Bookstore of Big Stone Gap.

Three Books…is produced and edited by Ellen Silva and Rosie Friedman with production assistance from Annalisa Quinn.