The Cabin without a Clock

Jack and I are fortunate to own a cabin out in the middle of the Tennessee woods. It was my home before graduate school, and the place where Jack and I had our first meal together. So it’s got a lot of history for both of us.DSCN0078

What it doesn’t have is a clock. Electricity, yes; flush toilet, check. Even a nice wood-burning stove. But no Internet access, telephone or clock. Which means once you get out there, you tell time by the sun, or the radio. It’s amazing how quickly this alters perspective. I remember a children’s book, To Walk the Sky Path, about indigenous people in Florida. The young protagonist observes his white teacher at school constantly being directed by the round thing on the wall. He offers to throw a rock at it for her, because it’s clearly bothering her, and she laughs. “How would we know when to do things without a clock?”

Jack and I use the cabin for escape time, and I use it for writing days. Free from clocks on these days, it is startling to identify the depth of their influence on our lives. At the cabin, we get up when it’s light enough to see the pond at the bottom of the hill. We go to bed when we get sleepy. And I write without deadlines of how much (or little) time I can spend on something.

The rhythm of the day rotates as gently and unobserved as the sun. You look up from a chapter and realize your stomach is rumbling, so you eat. Did you have breakfast? Is this lunch? Surprisingly enough, we eat less following this pattern.

If you’re going to take the dogs for a walk, go before dark. In the deep woods, eyes closed or open is almost the same; there literally is no difference inside the house on a dark night.

Life gets simple when you take the clocks away. Unfortunately, it only works for a few days, then you have to calculate your re-entry into society. Like as not, someone is expecting you at a numbered hour. But for those days measured by sunup and sundown, when it’s sleep, write, read, walk, cook and eat and clean up afterward, then sit on the porch watching a flock of turkeys, a herd of deer, or even (once) a bobcat shuffle up the hill on the other side of the pond, time’s measure is simpler, slower, sweeter. And oh so contented.

People have asked if Jack and I rent the cabin out; yes, if we know you or have only one degree of separation. Be warned that it is remote, and has proven too peaceful for some.

The Monday Book: MUD SEASON, by Ellen Stimson

It’s a new era for this blog—well, not that new, but still. In celebration of passing 100K hits, I’m instigating THE MONDAY BOOK.

The first one was given me by Pamela, my agent. She met our train on our trip to NYC earlier this month with a book in her arms. Since our train was late, I asked her if she’d been enjoying it, and she grinned.

“Actually, this is for you.” She handed over Mud Season, by Ellen Stimson, published by Countryman Press. “I begged it off an agent friend, because it’s the antimatter version of Little Bookstore. This family moved to Vermont to get a quieter life, and it all went horribly wrong. Enjoy.”

You know the quote, I think in Catcher in the Rye, where Holden Caulfield says he sometimes wishes he could have lunch with the author of a book? That’s how I felt about Mud Season. Stimson is a successful entrepreneur, someone who has run various businesses well, selling them off for profits. But when she moved to Vermont, she kinda got stuck behind her business acumen, didn’t take local knowledge and expectation into account, and wound up pretty close to literally losing the farm (house).

For all that the premise sounds scary and not that fun, the stories are hysterical in and of themselves, and Stimson’s writing style is funny, funny, funny. She uses footnotes to deliver comedic timing–a better use for them than Academia ever found.

Her family moved to “the country” to get out of the rat race, and found once there that they might more or less be considered the rats. As they try increasingly clumsy attempts to save themselves, their Horribly Quaint Country Store (HQCS) fails slowly, steadily, and for reasons that have a lot to do with them not being from there—although that gas pump thing on page 142 really was not their fault. This comedy of errors has some life lessons floating below the surface, but they are less extracted and analyzed then left for the reader to find between the lines.

Which made me really enjoy the book. I’d love to have lunch with Ellen Stimson and trade stories on running a business, writing a book about running said business, and why “idyllic” will never cross either of our lips again when describing a rural lifestyle. Meanwhile, I’ll enjoy re-reading my favorite parts: the parade permit that wasted 300 pounds of lobster;  the day she forgot the historical society was taking a house tour and started cleaning the chicken coup; and yes, the Gas Pump Incident. (Read it and weep with laughter.)

That parade permit chapter, for anyone who has ever lived in a small town, is about the funniest thing on record describing what this “simple” local government activity is like. See Big Stone Celtic’s page on Facebook. We go through this every year.

Next time I’m in Vermont (which will be the first time) I’ll look up Stimson, take her to lunch in a secluded place where no one can hear us, and compare notes. I suspect we will laugh ourselves into comas.