Tag Archives: literature

Keep Calm and – – -?

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Jack is doing the Monday book this week –

Crime Control as Industry – Nils Christie

Regular readers of this blog will probably know that I visit inmates at our local Federal prison each month, and I’ve been doing that for over four years. It’s against that background and in that context that I’m reviewing this book – – –

One thing I had inevitably learned in my conversations with inmates was that there seemed to be an enormous economy surrounding prisons in the US, then research showed me there was a very disproportionately high number of African-American prisoners, and the overall percentage of the population behind bars in this country was among the highest in the world (the three highest are China, Russia and the US).

Christie’s book is mainly concerned with western European countries and the US, and focuses on the very different attitudes and approaches to crime and punishment in them.

Nils Christie is a Norwegian criminologist, and his world-view is naturally affected by where he is based and grew up. The first thing that caught my attention in this book was that (at the time it was written – 1998) there was a waiting list in Norway for folk to serve their prison sentences! The number of prisons was small and there was a consensus that people shouldn’t be crammed in, so folk carried on with their lives and waited to be told when there was a space for them. The sentences were fairly short in most cases and only the most serious actually received prison time at all. Despite this, crime figures were low compared to other countries.

What on earth was going on here?!

What Christie goes on to unravel is the very definition of crime, the need for ruling elites to create and then control a ‘surplus population’ and the market led industry that operates that control. At its crudest (which is always), the market needs a level of unemployment in order to suppress wages and allow the economy to compete with others around the world (this is exactly the thinking of the recent winner of a certain Presidential election). That ‘surplus population’ in the US has historically been mainly black, so there are residual racist reasons feeding into the equation as well.

So, where are we now?

Christie is/was tentatively optimistic that reason would prevail and that his Norwegian model would set an example, however, other more recent research suggests otherwise. The growth of private prisons, the economic market surrounding State, Federal and private prisons, the increase in the ‘surplus population’ and the demonization of anyone who isn’t a WASP.

Maybe the fact that I’m a WASP and can write this is a good sign? There again, maybe an algorithm has already identified me as part of the ‘surplus population’?

 

 

The Monday Book: DUMA KEY by Stephen King

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Yes, I know; some of you are even now saying, “Whaaaa? She’s recommending a bestseller?! I want something more obscure!”

But here’s the thing. King has reached the point in his career where, as one NY editor put it, “He could publish a phone book and it’d make bestseller.” And since all his books are bestsellers, there are people who ignore him. What’s for the masses must not be good.

That dismissal would be a disservice to good, honest writing. Like fellow “pop lit” writer Terry Pratchett, King–even in the midst of his boyish fascination with making horror from human scatology and secretions–sometimes hits literature. Consider these quotes, all from Duma:

“When I look back on that time, it’s with the strangest stew of emotions: love, longing, terror, horror, regret, and the deep sweetness only those who’ve been near death can know. I think it’s how Adam and Eve must have felt. Surely they looked back at Eden, don’t you think, as they started barefoot down the path to where we are now, in our glum political world of bullets and bombs and satellite TV? Looked past the angel guarding the shut gate with his fiery sword? Sure. I think they must have wanted one more look at the green world they had lost, with its sweet water and kind-hearted animals. And its snake, of course.”

“Stay hungry. It worked for Michelangelo, it worked for Picasso, and it works for a hundred thousand artists who do it not for love (although that might play a part) but in order to put food on the table. If you want to translate the world, you need to use your appetites. Does this surprise you? It shouldn’t. There’s no creation without talent, I give you that, but talent is cheap. Talent goes begging. Hunger is the piston of art.”

When King is on, he’s on. When he’s off, welcome to Under the Dome. A friend and I were talking about King’s massive body of hit-and-miss novels, and we postulated that when he’s writing about something that has personal interest for him–his relationship with his wife and family, for instance (Bag of Bones, Lisey’s Story) or people getting hurt in accidents (like in Duma)–he’s spot on.  When he’s not that interested, well, can I just offer my opinion that Doctor Sleep sucked hose water?

In Duma Key, King explored something that definitely fascinates him: creativity. Hence, the book has that great mix his regular readers have come to expect of human nature captured so well in tiny sound bites, amidst tight storytelling about strange phenomena.

So, for all the aspiring writers, painters, chefs, and dancers among us, here’s one more quote from a guy who knows: “Talent is a wonderful thing, but it won’t carry a quitter. ”

Stay hungry, and enjoy.