Are we there yet?

Jack’s weekly guest post examines concepts of distance –

Whenever Wendy and I are away from home in a big city for a few days we have an arrangement – she gets to eat dinner in a Middle-Eastern restaurant one evening and I get to an Indian restaurant on another. Last night here in DC it was her turn. “How far is it to The Lebanese Kitchen?” I asked. “A mile and three quarters” she replied.

We debated various options for covering the ‘mile and three quarters’ and decided, since we had plenty of time, we’d walk. Wendy likes walking and I foolishly said, before we married, that I did too (the things we’ll say for love!). What we didn’t specify then was what each of us meant by ‘walking’. What has transpired over the years is that Wendy’s concept of distance is fundamentally different from mine. We have spent many a weary hour walking through boiling heat, freezing cold, horizontal rain, across freeways, under interstate bridges and dodging insane drivers as ‘just a mile and three quarters’ turned out to be considerably longer.

Sometimes the place we’re walking to is closed, sometimes it has gone out of business, occasionally it turns out to be just delightful. Other times we get funny looks from drivers or locals, who clearly think we’re insane or suicidal. Last night was a classic – we walked briskly through the cold, following the meanderings of Connecticut Avenue through downtown Washington DC , as the upscale embassy district gave way to equally upscale apartment blocks and then to somewhat seedier areas of broken sidewalks and finally over a very long bridge over a scary drop. Clearing the end of the bridge my heart lightened as we espied an Indian restaurant, and another – –

“Not tonight, dear” – said my beloved! Tonight is the Lebanese Kitchen and tomorrow is the Indian restaurant. “Keep walking!”

And, so, we did finally arrive. It was open, and filling up rapidly. The place was delightful, as was the food, and the service was excellent too. To Wendy’s surprise I suggested we walk back to our hotel afterwards. You see, I’ve found that returning is always quicker, or so it seems. I think it’s because I know how far it is on the way back, whereas going out there seems to be no end to it.

On a related subject, where we live in Big Stone Gap seems to be almost exactly one and a quarter hour’s drive from anywhere else you’d want to be – Bristol, Abingdon, Johnson City, Cumberland Gap, it doesn’t seem to matter – always an hour and a quarter. When our friend Mike was over from Scotland on vacation a couple of years ago and keen to explore on his own, he’d ask how far it was to these places. As he was leaving to go back home he announced that he’d dubbed any journey of that length a ‘Jack’!

So tonight we’ll be celebrating my birthday at an Indian restaurant, in the company of friends of many years whom I’ve never met face-to-face. They are choosing the place and I’m just waiting to see where the distance lies between a ‘Wendy’ and a ‘Jack’ – – –

The Monday Book: DUMA KEY by Stephen King

Yes, I know; some of you are even now saying, “Whaaaa? She’s recommending a bestseller?! I want something more obscure!”

But here’s the thing. King has reached the point in his career where, as one NY editor put it, “He could publish a phone book and it’d make bestseller.” And since all his books are bestsellers, there are people who ignore him. What’s for the masses must not be good.

That dismissal would be a disservice to good, honest writing. Like fellow “pop lit” writer Terry Pratchett, King–even in the midst of his boyish fascination with making horror from human scatology and secretions–sometimes hits literature. Consider these quotes, all from Duma:

“When I look back on that time, it’s with the strangest stew of emotions: love, longing, terror, horror, regret, and the deep sweetness only those who’ve been near death can know. I think it’s how Adam and Eve must have felt. Surely they looked back at Eden, don’t you think, as they started barefoot down the path to where we are now, in our glum political world of bullets and bombs and satellite TV? Looked past the angel guarding the shut gate with his fiery sword? Sure. I think they must have wanted one more look at the green world they had lost, with its sweet water and kind-hearted animals. And its snake, of course.”

“Stay hungry. It worked for Michelangelo, it worked for Picasso, and it works for a hundred thousand artists who do it not for love (although that might play a part) but in order to put food on the table. If you want to translate the world, you need to use your appetites. Does this surprise you? It shouldn’t. There’s no creation without talent, I give you that, but talent is cheap. Talent goes begging. Hunger is the piston of art.”

When King is on, he’s on. When he’s off, welcome to Under the Dome. A friend and I were talking about King’s massive body of hit-and-miss novels, and we postulated that when he’s writing about something that has personal interest for him–his relationship with his wife and family, for instance (Bag of Bones, Lisey’s Story) or people getting hurt in accidents (like in Duma)–he’s spot on.  When he’s not that interested, well, can I just offer my opinion that Doctor Sleep sucked hose water?

In Duma Key, King explored something that definitely fascinates him: creativity. Hence, the book has that great mix his regular readers have come to expect of human nature captured so well in tiny sound bites, amidst tight storytelling about strange phenomena.

So, for all the aspiring writers, painters, chefs, and dancers among us, here’s one more quote from a guy who knows: “Talent is a wonderful thing, but it won’t carry a quitter. ”

Stay hungry, and enjoy.