The Monday Book – Reproduction by Louisa Hall

Guest review by Janelle Bailey, avid reader and always learning; sometimes substitute teaching, sometimes grandbabysitting, sometimes selling books

Reproduction by Louisa Hall

Reproduction by Louisa Hall

Again, I seriously struggle to understand how books come to me exactly as and when they do such that they intertwine with and connect so completely in coincidental ways with my own life. It is not always as crazy as it is with this one, but this is a rare gem.

I can tell you that it was Wednesday, September 27, when I was working at my still newish job at an independent bookstore, when I visited at length with a customer, the two of us conversing at length over snippets of conversation interspersed among her browsing the books and my tending to other customers. It all began with my welcoming her and her sweet little dog (I still know his name), and us then sharing sort of leveled-up knowledge and understanding of books and authors and more. The end result–I have no recollection of what she may have purchased–was my having this title and another written on a scrap of paper, as they were the two books she’d most recently read.

I proceeded to put both titles on hold at my local library, and when this one became available, I added it to my to-read stack and near the top–well, left of my shelved short stack–and kept thinking that it was “truly next,” as I was eager to return to my conversation with this now friend and report, at her request, my thoughts about it. But for a bit, more pressing–book club, due sooner, etc.–titles took precedence.

At face value of the book’s title alone, this topic is one with which I am quite familiar, having successfully reproduced and nearly completely non-eventfully, five times. I often think–and usually with much marvel as well–about how gratefully awed I am by my body’s having handled this all so very well. Given that all five of mine are now adults and wishing to live very independently (more independent from me than pleases me, quite often), I find myself in a position to be trying on this new mature identity that doesn’t have me leading with that fact or role, when meeting new people these days. It’s a process, though, and for sure! Being a “mom” is truly all I ever wanted to do with my life, and then it became all that really mattered to me for the past thirty years since I first got to call myself one. But as I said, those girls…err, young women…are often determined to distance themselves from me, so I find myself trying to figure out who I am…newly and now.

All of that reproduction set me up–every single one of those five successful pregnancies led to the (re)production of another female–not only for exponential, as I’ve always hoped–numbers of grandchildren, but now includes continual and even more complex concerns about their own reproduction–including their rights, health, and so much, much more.

That Reproduction‘s cover flap reveals it to be a “genre-defying novel” had me fully engaged, as soon as I began reading it.

My first fondness came at mention of Mary Shelley’s Frankenstein, a long-taught, long-favorite classic, and a book I discussed just days before with a student while substitute teaching. That the main character–or Hall, it isn’t completely clear–was planning to write a book about Mary Shelley was fascinating to me and that thread of connectivity throughout the book valuable.

The next connection was reference to author Tove Jansson and then very shortly later to Jansson’s Moomins. My heart was fully engaged for my fondness of and connection to Jansson; at this very moment in time a former student’s full collection of Jansson books is housed in my bedroom. I’ve had the box for more than two years, possibly…my slow reading of those slowly interspersed with other books. And my learning of Jansson’s Moomins traced to a very specific conversation in a Stockholm kitchen belonging to my cousins, the Finnish wife, C, of my cousin, H, telling me about them while simultaneously packing our picnic lunch and teaching me about haloumi…if I recall accurately.

Additionally and next, that someone very close to my heart had endured a “molar pregnancy,” as experienced by the book’s main character was consoling, in some ways.

But that wasn’t all of it. The next length of the novel addresses the main character’s horrible hemorrhaging after delivery of her daughter and all that traumatized her in those scary hours. And that was so specifically similar to what I experienced less than a week before my starting to read this book with my own daughter’s second delivery. How does all of this happen in and with one book that I am so divinely steered to read?

This would suffice for all of the relevant reasons I was enthralled, all the while, with this book, but for the crazy fun of my reading life, there is yet one more marvelously amazing layer to my own story with reading this book: and that is that, on my Facebook post of my “Here’s what I am reading right now” post last Friday morning, a dear treasure of a long-time AP Lit. teaching-met and AP Lit. Reading-established friend, who lives in Florida, commented that she used to babysit Louisa Hall, herself. Oh. My. Word.

I will simply keep listening generously to those steering me toward the books, taking direction as I always have from the usual places–awards, short lists, gut feelings about new publications, trusted authors, etc.–and additionally be forever grateful that my opportunity to work in the bookstore has become rewarding far, far beyond being paid to talk about books and/or sell them to others. Rather, it has also introduced me to smart, avid, and discerning readers, galore…and I’ve made many, many new friends of this very best kind: fellow readers.

Oh! Were you expecting to read about the book?

It’s likely to fall somewhere between triggering and satisfying in that “feeling seen” sort of way for a number of women who have endured similar difficulties with miscarriage and other pregnancy and/or delivery, post-partum concerns. And it does provide a certain amount of relief and satisfaction, too, for those of us who have had successful pregnancies and deliveries.

It does not read like fiction, given the similarities between the voice of the main character and Louisa Hall, herself. I wonder if it could be called “auto-fiction,” allowing for Hall to blend her truths in with other potentially fictional angles for these stories to take. There is lots to be learned and understood in reading this good book.

Come back next Monday for another book review!

The Monday Book – Trust by Hernan Diaz

Guest review by Janelle Bailey, avid reader and always learning; sometimes substitute teaching, sometimes grandbabysitting, sometimes selling books

Trust by Hernan Diaz

Trust by Hernan Diaz

It is difficult to write, for this book, a review that includes any kind of sweeping generalized summary, as a reader needs to experience it all as it unfolds to appreciate its layers and all that they share. This is a multi-genre, telling of financial industry history and the players who played, seemingly fictitiously but compellingly believable as well.

These characters’ interwoven stories and history over time is what makes the book all that it is. And it was a common theme to our book club discussion of it, recently, that many of us plan to go back and re-read it again for only knowing at the very end how some parts truly fit and wishing to re-connect things back to front again. I have long intended to make that my practice with some of the best books…but too often I finish the book, write the review, and close it…so eager to dig into the next, rather than read again the one I have just finished. For years I advocated students returning to the beginning once they had finished. In the best literature, the opening paragraph, even, or page of a book often foreshadows all that is to come from the entire work, ultimately, a fun thing for them to see play out. I have not, as often as I should, taken my own direction or advice.

In the case of Trust, the supremely valuable and multi-meaningful single word title is layers of impactful; the book is about “trust” as a financial industry term, as well as how one builds “it,” how one values a story and or can depend upon other persons’ perspectives and telling of story and/or history–or their interpretations–as well as what separates fact from fiction. I eagerly entertain a conversation with others about this single word–trust–and how it varyingly functions in the book, wishing to ponder and analyze how it plays into many aspects of the novel’s content, how it threads everything together but differently as well as similarly. If I were still teaching AP English Literature, I would relish the opportunity to discuss this with kids, as well as then challenge them to think of other words that are so multiplied in meaning, singularly, themselves singularly containing the layers we demand of the best literature.

There is no easy way to convey a list of meaningful or impactful characters in this book for that multi-genre, nearly Cloud Atlas-like conveyance, but it is easy to convey my fondness, most of all, for Ida Partenza and Mildred Bevel and their stories. I think you’ll find them to matter much when you meet them.

I wish to read this one again from cover to cover…and will. I first picked it up months ago, having put it on hold at the library due to its winning the Pulitzer Prize. When it came to me I only got halfway through before having to return it to the library. Then it became our book club selection, and I was thick into another thick book, finishing that only two days before book club met. So rather than returning to the beginning of Trust to start over, as I had intended and also knew I “should,” I was forced to pop in closer to where I’d left off, which was about halfway through, and still did not quite finish in time for book club. I had 20 pages remaining when we met.

And that could all make it sound like the book is not as wonderful as it is. It is deserving of the prize it won, and I am eager to read it all again.

And fully realizing I didn’t tell “you” much at all of what it is about, that is because as Janie said back in Zora Neale Hurston’s Their Eyes Were Watching God, “You got ta go there to know there” and find your own way through its valuable layers of understanding.

Come back next Monday for another book review!