Liz Weir’s Monday Book

So y’all know that I’m holed up in West Virginia in a gorgeous luxury flat, typing away at a new book. As I won’t be getting much else done these three months, friends and fellow writers have stepped in to cover the Monday book through March. Liz Weir is the first – a longtime friend and magnificent storyteller. Take it away, Liz!

I wonder what American readers will make of this book, gifted to me by my daughter for Christmas?

lost wordsA sumptuously illustrated, coffee-table sized book, which contains magic within its pages. Inspired by the decision of the Oxford Junior Dictionary to remove 50 ”nature” words from its pages to replace them with words such as “broadband” and “attachment” . It has been recognised that there is a connection between the decline in natural play and children’s wellbeing so for me this is a partial antidote.

In this book Robert MacFarlane decided to explore words from the wild and with illustrator Jackie Morris they have produced a beautifully crafted book which helps young and old alike reconnect with wild experiences. The illustrations in watercolour and goldleaf do perfect justice to the text. It should be pored over rather than read cover to cover at one sitting, containing as it does acrostic “spell” poems intended to be read out loud, stunning images and a richness of language often lost to many of us.

Words like “acorn”, “bramble”, “kingfisher” “heather”, words which roll off the tongue, and yet which can so easily be forgotten. Often we talk and write about conservation but unless we retain the words to describe the beauties of the natural world they can disappear from our conversation.

Apart from the delight of simply exploring its pages I intend to use the book to work with young people during creative writing sessions. While I generally try to encourage them to find the very “best” words when writing poems, Lost Words will provide an added stimulus.

Visually, it is a lovely book, and while the librarian in me might ask where folks will shelve this large tome, I urge people to acquire a copy for the sheer delight of exploring it. The author encourages readers to “seek, find and speak”. Please do!

As one who is very reticent about letting other people choose my books I realise that my daughter knows me very well. What better gift for a storyteller and lover of language, or in my opinion for anyone?

Liz Weir is a storyteller from the Antrim Glens in Northern Ireland. Visit her website.

What You Wish For – – –

Jack is off the hook this week as Chelsie Dubay takes on the guest post –

I decided when I was eight years old that I was going to be a chemist. I asked for a chemistry set for Christmas that year. I hung a massive copy of the periodic table of elements on the back of my bedroom door, right next to the posters I’d ripped out of the latest Tiger Beat magazine. After about a week of trying to sift through that chemistry set I realized that sodium bi-whatever-it-was did not inspire me like I thought it would. So, I boxed up the test tubes, experiment manual, and mortar and pestle and stuffed it in the back of my closet along with all of the other hobbies I’d abandoned over the years. Then, in high school, I accepted my fate and resolved that I was destined to be a mathematician. I really don’t know why I felt so certain about that career path but I knew how to solve for X and use a graphing calculator so I accepted that math would then be my destiny.

I’m notorious for that – building unfounded dreams in the sky and then letting them sink down to the ground.

It’s taken me almost thirty-five years to discover my passion. I can remember the first day I realized what it was that I truly loved. I was an undergraduate student at UVa-Wise. College was the first time I’d ever really been around people who weren’t from my tiny town in Lee County, Virginia. We were given a writing prompt in one of my classes. We were told to write about something that we had experienced during our first few days as college students. Most people wrote about how terrible the cafeteria food was or how far away student parking was from the dorms and classroom buildings. I wrote about how surprised and fascinated I was with how students from other parts of Virginia didn’t talk like I talked and how different our worldviews were. Needless to say, my essay was a bit heavier than some of the other submissions the instructor received in class.

From that day forward I charged myself with being an advocate for the region I called home. I was flooded with emotions – mostly regret. I had taken years of amazing memories, stories, and people for granted. I wanted to rewind time so that I could go back and appreciate the days I spent at my Mamaw and Papaw’s old general store in Hubbard Springs. Instead of complaining about Mamaw and Papaw not having MTV, I should have been relishing in all of the things that made my childhood and this area great. I needed to bottle the quirky way my Mamaw refers to herself in the third person, “Lord, Chels. Don’t look at Mamaw. Mamaw’s been weedeatin’.” I wanted to record the way my Papaw, with an eighth grade education, worked out complex math problems aloud, ending each solution with, “why, hell, Chels. At’s simple math!”

I can’t go back so I choose to go forward and to be thankful for the opportunity to reflect on those memories and relive those moments I’m afforded through the cannon that is Appalachian literature.

This semester I have the distinct pleasure and honor of teaching my all-time favorite class, Appalachian Literature, for the local community college, Mountain Empire Community College. The chain of events that landed me here is as poetic as the literature my students will enjoy over the course of the semester. Together, we’ll laugh and we’ll cry but most of all, we’ll reflect. I hope to expose each of my students to the beauty of the things they, like me, may have ignored or underappreciated. My hope is that, at the end of the semester, each student will walk away inspired to go out and capture the beauty that surrounds them – through oral history collection, through participant-observation, but most of all, through just being present in the things that make this area, these people, and this body of literature great.

Won’t you join us?

This course will be a great way to expose yourself to works of and about our region, as well as to build a solid foundation in some of the significant historical movements that have impacted and continue to impact this body of work.

During this course we will read works (both fiction and non-fiction) set in or about the Appalachian region. The works will range from ballads to novels and hit almost everything in between.

This course is not exhaustive; it’s a sampling. Also sprinkled throughout the 15 weeks we’ll talk a little about history, culture, religion, and the land itself. This course is discussion heavy, which means that your participation in the discussion board, contributing to our conversation, is crucial for the course’s success.

In addition to weekly discussions, the class will require 2 major projects and 2 short essays. Remember, too, that senior residents of Virginia may be eligible to audit the class for free!

Apply here: http://www.mecc.edu/step1/

Questions? Contact Chelsie Dubay, cdubay@mecc.edu