Grandma was Right?!

seriouslyWhen I was a little girl we lived next door to my father’s parents. They were strict people: no short sleeves, no jewelry (including wedding rings) no music except hymns on Sundays.

But they were also great fun, being crazier than anyone else I knew. In my house, books lined the hallway, flowed across bedroom floors, covered every flat surface. In theirs lived just three: a Bible (KJV and don’t you forget it); a strange novel from the 1920s called something like Mary of the Hazel Woods, about a mountain girl’s search for book larnin’ so she could get herself a Bible – which she did months later after taking in sewing and then walking barefoot through the woods for eight miles to buy one second-hand, repairing the cover with her sewing needle; and, for some unknown reason, a copy of Shakespeare’s Sonnets.

I don’t think they’d read the sonnets. I read every book in their house at least three times in the years they babysat me after school, and by age eleven understood that a bunch of those poems were about sex. I didn’t let on, though; I’d had enough of that self-righteous prig Mary o’ Hazel Woods.

Everyone in my family but them liked books. And although everyone in my family liked God and talked about Him a lot, Grandma and Grandpa said things the rest of us didn’t. Like He didn’t like it when people with straight hair used curlers.

So  I grew up viewing my grandparents with equal parts love and suspicion, learning not to rely too much on Grandma’s little homilies, delivered as we were cooking or sewing together. Among other things, Grandma believed women should not go to college, that when Catholics died they shot down a specially reserved chute straight into Hell, and that the people across the street were spies for the CIA.

“Why would that matter, Grandma?” I asked, still kinda stuck on the “girls shouldn’t go to college” part.

“Because they’re spying on me.”

“The CIA wants to spy on you?”

“‘Course they do. They wanna know ever’thin’ ’bout ‘ever’body in America.”

“Uhh, okay, Grandma. How do I turn this seam?”

As the years flew by, it grew simpler to filter out the silly stuff–like not having sex except to have children (which explained why some of the extended family had so many, but I kept my mouth shut)–and hang onto the stuff that seemed wise–like darning socks over a light bulb, and putting the milk into the biscuit batter last.

Trouble is, I missed a good one. All these years later, with Grandma long gone and her granddaughter crocheting her own socks after getting a PhD and then opening a bookstore, I have to admit Grandma was right about the spying. The CIA does watch everybody – or maybe it’s that NSA, or whoever’s in charge of the Internet now. Everywhere you turn it’s Edward Snowden, data mining, privacy rights, and on and on and on.

Who knew?
Grandma!

Sorry, Gran, you were right the whole time. About that. I’m still not buying that women should stay home with three books and not go to college. Love you, though, and thanks for the recipes!

 

WRITE COMES TO THE CUMBERLANDS

The Write Whisperer
(guest post by workshop attendee Lizbeth Phillips)

kizbethAccording to Flannery O’Connor, an epiphany is not permanent. After spending a day with Wendy Welch at WRITE COMES TO THE CUMBERLANDS, I have a new understanding of what O’Connor meant. Being an educator, I can come up with a hundred reasons a day to not make or take the time to write. For years, I have used it as an excuse to abandon essays, short stories, poems, and my first novel. No more!

Why? Because epiphanies are not permanent. Either you let them go or you do something so that whatever enlightening moment flashed before your eyes becomes intrinsically absorbed in what defines you. I am many things, especially a writer.

What did I learn at WRITE COMES TO THE CUMBERLANDS? First, excellent writing has strands of universal themes so that writers can connect to readers. We have to evaluate how words appear to the reader—just in case our notions are a bit alien.

But even before that, just get it down! Write the first draft without revision. Whether we start at the beginning or the middle, we have to write to the very end before we go back and restart. A first draft is not the final draft. After writing the first draft, evaluate the work and clarify. Add details to make the narrative and dialogue credible in the eyes of the reader. In other words, ask if my imagination transfers to the page so the reader sees the same movie I saw.

Becoming aware of the narrative arc and anticipating how to string a story along so that characters grow has released me from the big writer’s pit that equipped me with excuses not to finish my novel. I can now write straight dialogue without any narrative (and visa versa) and communicate to a reader.

I used to flounder on strong narrative and ruin dialogue or write dialogue at the expense of the narrative. Until today, I am not sure I had a handle on blending the two. If I am to move my novel along and not write myself into a corner, I have to create the proper mix! Writing is unforgiving. So are readers.

I came to the table with all kinds of reasons and excuses for not committing. When I left at the end of the day, I was an empowered writer.

If inspiration gleaned from attending WRITE COMES TO THE CUMBERLANDS were bit-coin currency, I would be the richest person on the planet right now. And since epiphany is not permanent, I’m going to spend my time cashing in on all that inspiration so it counts.