Behind the Microphone – –

Jack’s guest post is another sad one –

I started recording and broadcasting my radio show Celtic Clanjamphry some twelve years ago at the studios of WETS fm in Johnson City, Tennessee. From the beginning it was normal for Jim Blalock to be in the next-door studio preparing his classical music shows.

jim b

When I finished recording my programs Jim would always chat with me and often commented on something he’d heard on ClanJam as he had been driving somewhere. I discovered that he had wide musical interests that extended far beyond his specialization.

At this time WETS was broadcasting solely as an fm station but changes were afoot. Coming over the horizon was HD radio, and our station was preparing to pioneer this format in the area. It wasn’t clear what the implications would be for existing shows and rumors abounded. Some months before the start of three HD channels the fm schedule was changed and all Jim’s classical shows were dropped. Although I was relieved that ClanJam was retained and even moved to a much better time, I felt bad for him.

However Jim was switched to continuity and news links and did local interest interviews. I was very impressed with the dignified way he handled what must have been a difficult time for him. Eventually, when the HD channels began, one of them was largely dedicated to classical music, so Jim was back with even more air-time than before!

Jim was back next-door and we began planning a special program that would examine how classical composers had been influenced by traditional music. He gathered some CDs with examples from the classical music perspective, while I lent him some showing the crossover from the other direction. We continued to discuss this for months but sadly could never find a mutually convenient time to record it.

Then Dirk Wiley came along with an excellent home studio much closer to me and a willingness to support WETS, so my connection to Jim became more fragmented and distant. Finally he moved to Knoxville and I discovered he was fighting cancer. But still he broadcast for a station down there right to the end.

He and I had a similar approach to the making of our programs, with minimal notes and no script – just calling on our knowledge and memories as we went along. He frequently spoke to me about this and how authentic and refreshing it was. In other words he was a mentor, an example, a supporter and a very valued friend!

RIP Jim Blalock

 

Per Ardua ad Astra et Pictorum

Jack just makes it again – – –

A few weeks ago, I blogged about house painters and decorators and briefly mentioned my dad.

Dad - RAF

Early in the RAF.

So, here’s a fuller story about him as an artist-craftsman –

William Beck (usually known as Bill or Willy) was born in Govan, in Glasgow, Scotland, the son of a ship’s painter. Govan was the center of Shipbuilding on the Clyde and the Clyde was the center of shipbuilding in the world then. Painting ships was fairly rough industrial painting, but Bill was destined for much higher-class stuff.

He moved to Fife at a fairly young age and entered apprenticeship as a decorative painter. In these days (the early 1900s) an apprenticeship lasted at least seven years. Once he’d finished his time he was employed by Henry Hoggan and Son, the most prestigious and high class painting and decorating company in Dunfermline. He quickly progressed to be their expert in interior design – color coordination, mural drawing, Church decoration, marbling, wood-graining, sign-lettering etc, etc – – –

His training had included time at Edinburgh art college where he’d studied color theory, Greek and Roman design, calligraphy, water color painting and much more. A true renaissance man and a student of the marriage between art and craft!

When WW2 came along he volunteered for the RAF and spent most of the war in Egypt where his skills were employed painting the identification numbers and letters on planes and lettering maps.

After demobilization he set up a decorating business in partnership with another ex-employee of Hoggan’s – Tom Anderson. Tom was the expert in painting and wallpapering, while Bill was the artistic one.

During all this time and even while he was in Egypt he was doing excellent water color paintings – mostly portraits but later on a good many landscapes too.

Around the time that I left school and started my apprenticeship, Tom Anderson retired and Bill continued as the sole partner. In these days before DIY took hold around half the work was in private houses and half was contracts to paint government offices, hospitals and schools. The firm usually employed around five or six time-served craftsmen and two or three apprentices (of which I was one). Because the work ranged from ‘high end’ domestic to fairly basic industrial my apprenticeship gave me a good grounding. Bill built up a successful sideline in lettering shop signs and vehicle lettering and often took me along, so that added another string to my bow.

He continued to work very actively right up until he retired and I remember many occasions when he clambered up a ladder and over roofs while the rest of us looked on in amazement.

One of his proudest moments, though, was after I started teaching painting and decorating in the local college. He had always wanted to do that but had never had the opportunity, so I brought him in as a guest to demonstrate his marbling and wood graining skills. By that time he was quite sick, but he put on a great display to an appreciative audience (and boosted my reputation no end!).

In the last few years of his life he kept himself occupied by continuing to paint water colors and did all his own mounting and framing. We’re delighted to have a number hanging on our walls!

Now my mother – – –  There’s a story for a future post!