I Was Tired – – –

Well there I was yesterday at noon heading down I-85 (motorway 85 to my Scottish readers) on my way to my friend Dirk’s house and home studio to record the next five radio shows. (Celtic Clanjamphry, since you ask.) Sailing along at the seventy MPH speed limit I rounded a corner and saw in front of me a large chunk of tire from a tractor trailer (Artic lorry for my Scottish readers). It was straddling both lanes.

It must have just happened as there were no vehicles stopped and I only had a split second to decide what to do. I could see lots of other vehicles behind me, so I had to make a decision. Should I go right or left? I made the wrong decision. If I’d gone to the right onto the hard shoulder I’d have missed it (we drive on the other side of the road for my Scottish readers) but I opted for left. I didn’t want to end up toppling into the median (the grassy area between the carriageways for my – – – ) but in trying to avoid the tire and the median I hit the tire with the front fender—pretty hard.

It made a thump but I didn’t think too much of it. I had the radio on and was listening to a talk show on WETS.fm (of course). The car kept going and I thought everything was fine, until I began to hear what I thought was interference on the radio. Alas, it was a bit too rhythmic – – – . So I switched off the radio and realized the noise was elsewhere and coming from the fender area.

Sigh….

I pulled off at the next exit and onto the shoulder, got out and had a look. Most of the plastic ‘mudguard’ inside the front passenger side fender (wing for my  – – – ) was sticking out in the wind and the rest of it was rubbing against the tire (tyre for – – – ). I thought I’d managed to spring it back up to where it was designed to be and carried on.

But thirty minutes later as I approached Abingdon (Virginia for – – – ) the all too familiar sound returned so I pulled into a parking lot (do I really need to – – – ). There it was hanging out again in the wind (nope, nope!).

Maybe I could tie it in place with some of Wendy’s yarn that’s bound to be stashed around the various corners of the car? Just my luck – she had done a car tidy last week. For the first time in over twenty-five years I couldn’t find a scrap!

I ripped the damn thing out with my bare hands and carried on my way – – – –

Note-able Journeys

Jack gets there on time for a change!

My good friend Randy Shell runs a used bookstore here in Wytheville called Oracle Books. About six months ago he began a section of records – LPs and CDs (even some 78s). It’s amazing some of the things I’ve found there.

The latest is one of a series called ‘Ballads from British Tradition’ in Virginia and this particular one focuses on this south west corner of the state. Included, of course, are Texas Gladden and The Stanley Brothers, but what really startled me was the field recordings of obscure (to me) singers and musicians. The recordings were made in towns around here including Norton, Wise, Galax and the wonderfully named Meadows of Dan.

Although ‘British Ballads’ is technically correct most of them originated in Scotland. The great Francis James Child of Harvard University published his definitive ‘English and Scottish Popular Ballads’ in the late 19th century and most of them were Scottish. Then a few years later Cecil Sharp traveled through Appalachia and produced his ‘English Ballads of the Southern Appalachians’. They were also mostly Scottish, although I suspect he meant English language rather than originating in England.

Our old friend Tom Burton who is Emeritus Professor of folklore at East Tennessee State University carried out research some years ago resulting in a paper called ‘The Lion’s Share’. In it he constructed a kind of ‘top twenty’ of British ballads found in Appalachia based on how many variants had been collected. The majority were originally from Scotland and the top five were all from there. He had to discount Barbara Allan as there were so many versions it completely skewed his calculations!

Another friend – the great English singer Brian Peters, has pointed out to me that although the majority of the Appalachian ballads may have originated in Scotland, many got there via England and there are quite a few distinctly English ballads that came over as well. Another piece of research by Tom Burton bears this out. He was able to trace the route by which the Scottish ‘Gypsy Laddies’ ended up in Appalachia as ‘Black Jack Davy’ and it wasn’t (as he’d assumed) via Ulster in Ireland, but actually by way of south west England.

In the end it’s just fascinating that these ballads continued to be used as either moral signposts or just as pure entertainment by the folks who came over and settled here.