The Monday Book: SUMMON THE KEEPER by Tanya Huff

tanya huffOne of those books that appeared in my bookstore and called to me from the shelf, I took this beat-up paperback to bed one night and stayed up past 2 a.m., giggling.

This book was just plain fun, and then right at the end it has one of the loveliest “didn’t see that coming” moments ever. Which you will not get as a spoiler in this review, because I don’t want you to miss the enjoyment of reading Huff’s sf novel.

Summon the Keeper has a cast of thousands – including Claire, the pragmatic heroine; a lovesick ghost named Jacques; Dean, the gormless hulking guy from Newfoundland; a sarcastic cat (book quote: “No one had ever been able to determine if cats were actually clairvoyant, or merely obnoxious little know-it-alls.”); and a bratty little sister who goes around turning sofas into pygmy hippos (prompting this response from their mother: “If she does call, would you please explain to her that turning the sofa into a pygmy hippo for the afternoon might be a very good transfiguration, but it’s rather hard on the sofa, and it confuses the hippo.”)

There are other characters, too.

Claire is a keeper; she mends holes in the fabric of the universe when people mess it up with bad magic. She gets put in charge of a hotel that has a hole in the basement leading to Hell, which is problematic and must be closed. The book turns on this plot device, but if ever the words “character drives plot” were proven, it is in this fun read. The joy lies not in what, but who and how.

The whole book rollicks along like a sitcom with smart writers behind it, charming and snappy. The best news is that Summon is the first of three books in the KEEPER series. Short enough as a series to keep its zip, but a good satisfying run.

And except for the sprinkled-at-just-the-right-intervals sweet moments when you say, “Awwwwww,” you’re going to giggle all the way.

The Monday Book: The Paris Wife by Paula McLain

Paula McLain’s novel about Ernest Hemingway’s wife Hadley was one of those books I let go in and out of the shop while it was bestselling, but had on my “as soon as it slows down, I’m taking it downstairs to read” list.

I guess I missed the window. Out of state recently in a thrift store, I found it lying on a neglected shelf of musty, curling books for a quarter. Although we typically eschew buying books for cash, there seemed only one course of action….

I admit that Hemingway’s Missing Suitcase of Work (if you’re not familiar with this cautionary tale, google it) has fascinated me for years, sorta like the Bermuda Triangle. So I anticipated really enjoying this book.

While I liked it, I didn’t love it, and that’s mostly down to how well McLain describes her characters. They don’t come off as nice people, the Stein/Fitzgerald/Anderson glitterati set inhabiting Paris between the wars. They come off as vapid and aggressive. Which means McLean is a really good writer.

She doesn’t try to sound like Hemingway. Hadley, as first person narrator of the book–and Hemingway’s first wife if not his first love–sounds like a lot of women trying to be their own person and also satisfy a guy.

McLain deals well with the added tensions of artistic competitiveness, both within the marriage and between the glittering members of the lit set. If you know a lot about Hemingway’s life, seeing these events from a close-but-not-the-same point of view is interesting–particularly the lost suitcase, a pivotal yet fairly quiet event just after the novel’s middle. It has the feel of just another day in the life, as McLain has written it–a bad day, but not coming out of the writing’s character to trumpet “And from that moment to this….!” There is no literary anachronism in this book.

I am glad I got to read it, but it won’t go down in history as a favorite. It turned out to be more interesting to me in relation to the Paris writing yuppies than as its own work. Which is likely why many people read it. It doesn’t disappoint, and I think it’s odd that the thing that shows what a good writer McLean is, is the thing that consigned the book to “meh” for me: that she shows the character and flawed core of all those literary heroes.

She did such a good job, I didn’t like them, or her book. But I liked her writing. Go figger. :]