The Monday Book: THEIR HOUSES by Meredith Sue Willis

their housesI got sent this book as I was leaving the Book Editor position for the Journal of Appalachian Studies. It was a wild ride (the book, although so was being editor).

Wells sets up a bizarre but plausible set of circumstances, and rides the wild waves from there: an old guy who struck it rich as a conspiracy theory revolutionary wants to reconnect to sisters he knew in childhood. All of them had weird childhoods, in the Jeanette Walls sense. The girls used to build little matchbox houses for their toys and called them “safe houses,” and kept them in a trunk–the same trunk where the younger sister hid drug money she stole from her older sister when she started running them….

That’s partly how the old rich guy got rich, and partly why he has a panic room. And partly why he loves the sisters, particularly the older one, so much. She turns in later years to religion and marries a preacher with a shady past that reaches into the present every now and again, with no complaints from him. (Every character in this novel is complicated, but not deep, is the best way to put it?)

Each chapter in the novel features one of the six main characters, and you will find this featured in the book group questions at its end: how do these different perspectives give the reader any sense of what’s going on inside all this chaos?

Good question. This book is chock full of things that don’t make sense, except, well, contextually they do. If you like Vonnegut, you’ll like Wells. Anything goes. Including the rather satisfying ending.

The Monday Book: WHERE THE CRAWDADS SING by Delia Owens

I’d heard good things about this book for some time, and looked forward to reading it.

The short version is, I love the way Owens writes, but didn’t much believe in this novel’scrawdads plot.

The book is about Kya, a girl who raises herself when her mother leaves an abusive husband and one by one the other kids head out from the swampland to make their own lives. Kya doesn’t starve and sorta makes peace with her dad, until he dies, by which time she can more or less cook and make a few dimes here and there with assorted activities.

The local boys know there’s a marsh girl so there’s a few hide and seek scenes, but the nicest and smartest of the boys befriends her, falls in love with her, teaches her to read, and then abandons her in college because he thinks she won’t fit in. But the star athlete at the high school decides to take her on, and she gets taken in.

Kya starts writing books and illustrating them, she gets a little respect, some money, fixes her house, etc. Star athlete winds up dead, Kya gets blamed, she finally gets found innocent. She marries the nice guy who realizes how much he’s misjudged her.

And then years later he learns the truth about whether or not she killed the usurious high school athlete. Not gonna spoil that for you.

The writing is beautiful. The plot is rather Hallmarkian? A 14-year-old boy teaches a wild child to read, and she becomes a published author who goes from selling shells to drawing them and the toast of the academic world of marshes. Okay. Feel-good plot, fine. But I like character-driven books and this one turns on types and tropes.

This book was made to be a movie, so just wait for it. It might even be better as a film, being a very cinematographic plot.

That said (“I didn’t much care for this book”) I will say I’m going to hunt down some of Owens’ other works. She writes so well, maybe some of the other plots are less hokey.

A mixed thumb up/thumb down, in essence, for this bestseller. Lots of people loved it, and it’s really just that I like books where character drives plot. This isn’t one.