I got sent this book as I was leaving the Book Editor position for the Journal of Appalachian Studies. It was a wild ride (the book, although so was being editor).
Wells sets up a bizarre but plausible set of circumstances, and rides the wild waves from there: an old guy who struck it rich as a conspiracy theory revolutionary wants to reconnect to sisters he knew in childhood. All of them had weird childhoods, in the Jeanette Walls sense. The girls used to build little matchbox houses for their toys and called them “safe houses,” and kept them in a trunk–the same trunk where the younger sister hid drug money she stole from her older sister when she started running them….
That’s partly how the old rich guy got rich, and partly why he has a panic room. And partly why he loves the sisters, particularly the older one, so much. She turns in later years to religion and marries a preacher with a shady past that reaches into the present every now and again, with no complaints from him. (Every character in this novel is complicated, but not deep, is the best way to put it?)
Each chapter in the novel features one of the six main characters, and you will find this featured in the book group questions at its end: how do these different perspectives give the reader any sense of what’s going on inside all this chaos?
Good question. This book is chock full of things that don’t make sense, except, well, contextually they do. If you like Vonnegut, you’ll like Wells. Anything goes. Including the rather satisfying ending.
Filed under between books, book reviews, humor, Life reflections, publishing, reading, small town USA, Uncategorized, Wendy Welch, what's on your bedside table, writing
This book is out from West Virginia Press and I received a review copy for the Journal of Appalachian Studies. (I’m their book editor.) If anyone would like to review it for the Journal, please drop me an email or PM.
The short stories in Sypolt’s fiction debut are engrossing character studies. Most have wonderful characters who drive the plots around them. Siblings who see through each other’s deepest weaknesses. Young people who find reasons to stay or go. Nasty and nice Christians. In many ways, it’s like Sypolt took a classic Appalachian problem and wrote a “what if” story about it: what if you were gay and couldn’t tell your parents, but your elder sister knew because you fancied her husband? What if you were young enough to leave home and old enough to know you’d take your upbringing with you wherever you went?
Although you might be able to read the slim volume in a couple of hours, I recommend savoring. The prose is well-crafted, the words backlit with mountain sunsets. If it sounds like these are bib overall hayseed stories, think again. Stereotypes exist to be played with not to make the stories go. For instance, in one story of summer lake holidays, a boy aware of his beloved elder brother’s proclivities to violence suddenly finds himself seduced by the girl he thinks is pure. These are not easy straw characters. A preacher’s daughter finds nothing redeeming in her dad, but the way the story goes down gets complicated. Nobody gets off easy in a Sypolt short story.
If you are interested in Appalachian politics, culture, and families, you will find much to chew on here. If you like short stories that are well-written and character driven, you’ll love Sypolt’s debut. And remember, order it from your favorite local bookstore, not Amazon.