My Song is my Weapon – Robbie Lieberman (1995)
Reviewed by Jack Beck
Once upon a time (actually about eighteen years ago) Wendy and I were booked to perform at the Orkney Folk Festival off the north coast of Scotland. The festival took place in various venues in Stromness and we were accommodated in a lovely old hotel overlooking the harbor. Not surprisingly the hotel bar was a favorite gathering place late at night after the official concerts and ceilidhs were finished.
One night we found ourselves chatting to a young American lassie who said she had published a book we might find interesting! I immediately bought a copy and have now read it for maybe the fifth time –
As a young man in the late 1950s and early 1960s I was developing my left of center political views as well as a strong interest in folk songs. So I was well aware of Pete Seeger, the Weavers, the Almanac Singers, the connections to Woody Guthrie and Paul Robeson.
What I didn’t know was what had preceded this in the US and where all these people had in their turn served their apprenticeship, both politically and musically.
Lieberman’s book was a revelation to me in many ways –
First of all I had no idea how large and popular the US Communist Party was in the 1930s and how well accepted that generally was. Then again, I knew nothing about the ‘popular front’ and was fascinated to see how that had helped generate the ‘folk revival’ of the 1950s and 1960s.
There was much that was familiar too – the ‘redscare’, McCarthyism, the blacklist and so on.
I have to admit that on first reading I found the book pretty dense and hard going. However each time I’ve re-read it I’ve found it not just easier but more enlightening. Each time I find more gems I’d missed before!
I can thoroughly recommend this to anyone with an interest in 1930s US politics, the roots and routes of the 1950s folk revival or all three!
Wendy Welch: Books, Yarn, Cats, Opioids 