Here, There and Everywhere

In time honored fashion Jack’s Wednesday guest blog post is a day late –

I continue to be somewhat amazed at how small the world has become, and it’s not just the number of people from far afield who visit our wee bookstore in rural Appalachia – even this week when it was snowing.

Just yesterday I had an email conversation with a gentleman in Rome, Italy called Massimo. It started first thing in the morning with a request for the words of a song I recorded with my old group Heritage on our second album back in the early 1980s. I was intrigued and in a subsequent message he explained he was a big fan and had spent years collecting all the available recordings that I and the group had made over the years. As of this morning there are two CDs he didn’t know about winging their way to him via the USPS and Poste Italiane!

A few weeks ago I was contacted by the presenter of a folk music show that airs on a radio station based in SW Scotland and we have begun to exchange programs. The ones I’m sending him are mostly digitized copies of cassettes that were made of a live show that I did back in the 1990s on a different (and now defunct) station in Scotland. But these cassettes were stored here at WETS which is the station where ‘Celtic Clanjamphry’ is based, because back then I sent them over to be re-broadcast here. So a show that originally went out live to rural Perthshire has gone through a series of different technologies, traveled the Atlantic twice and is being heard by listeners of Folk n’ Stuff over the internet in (among other places) Tallahassee where there are, apparently, a loyal group of fans!

Sticking with the radio theme, I had the great pleasure of interviewing a lovely Irishman called Liam at the WETS studios on Monday morning, who is a visiting professor at ETSU just now, and made a good friend in the process. We concentrated on two themes that are part of his research focus and will also be the subjects of presentations he will make here. One was the importance of the culture of small geographical areas and the other was the challenge of Brexit for Ireland (North and South).

On Tuesday Wendy and I had our guest blog post for the Birthplace of Country Music Museum published and that also has a transatlantic theme.

Follow the Ballad: From Scotland’s “Lord Gregory” to The Carter Family’s “The Storms Are on the Ocean”

Meanwhile I continue to fine tune the arrangements for my annual small group tour of Scotland at the end of June, which also entails a fair amount of international communication.

It’s all a mad gay whirl I tell you – – –

Just the Right Note – –

Jack doesn’t quite make it with his Wednesday guest post –

This was going to be a post about my birthday on Monday and I suppose it still can be.

Yes – it was yet another one and I had a great night in the local-ish Indian restaurant with a group of close friends. I was also amazed at how many folk felt connected enough to wish me the best via Facebook, which has its good and bad points but keeps us all in touch if we can ignore all the crazy stuff.

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Good friends, good company and excellent curries on Monday evening

But my present to myself has been a year in the preparation. In a recent post I mentioned a guitar that was being repaired and put back in the condition (in fact better than) it was when I first bought it some years ago. So here’s the story –

I had been traveling back and forward between Scotland and the US and was very nervous about my big guitar having to travel in the hold of the planes, so I started researching ‘parlor guitars’ as they can fit in the overhead bins. I was searching online and found a guy in California who found parlor guitars at house clearances and had a whole lot for sale. I took a chance and bought one from him. A bit like folk buying a tour of Scotland from someone they’ve never met!

When it arrived it turned out to be a Lyon and Healy Lakeside. L&H still exist but haven’t made guitars for a long time. Based in Chicago they are known now for their pianos and harps. The Lakeside was their second top quality guitar – the top one was called the Washburn (the middle name of one of the partners). They sold the Washburn brand and that’s a whole other story.

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When my Lakeside arrived I was completely charmed and impressed. It is the only guitar I’ve seen with back and sides made from oak, and how anyone could have bent these sides is beyond me. It had a bright and punchy sound and was incredibly easy to play. These instruments were popular with mountain music groups of the 1920s and 30s because they were both cheap and could be heard alongside the banjo and fiddle. Sadly my guitar quickly began to deteriorate with a split on the top, a split in the heel of the neck and internal braces loosening.

Enter two new and good friends who made an introduction to an excellent guitar luthier in Nashville and organized transport of my beloved Lakeside to and from that wonderful craftsman. I really thought I’d get a quick response saying it was beyond help, but didn’t hear anything at all!

I had been told it would probably take a year as he had to fit it in between his own much sought after bespoke instruments and that’s exactly how long it took.

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This morning I finally got her back and I’m completely astonished. He deliberately didn’t try to make her look like new, but simply made everything just how it was when I first got her. But much, much better. She looks pretty much the same but sounds and plays like a dream. The big thing I found when I first got her was that the neck was narrow and had a distinct ‘D’ cross section which really suits my hand. When I sat down this afternoon to play her I knew all the trouble and expense was completely worth it!

So to all 400 of you who wished me happy birthday in various ways – I’m amazed I have that many folk who care. To those of you who made it to Sahib’s on Monday evening, I just finished my tandoori prawn tonight. To the love of my life who traveled down from WV to make sure I survived – hang on – we have a 20th anniversary approaching.

To Paul, Bill and especially Chris Bozung – thanks for giving me back the Lakeside (not to mention the anonymous original makers who’s instrument sold for the first time for $6 in 1906 in a Sears Roebuck catalogue).