Curse you, Christian Fiction!

Those of you who run bookstores will understand whereof I speak. You will laugh knowingly at this question.

WHY THE HELL ARE THE CHRISTIAN FICTION SHELVES ALWAYS DISORGANIZED?

The people who shop Christian fiction tend to fall into a certain demographic: female, circling retirement age on one side or the other, sweet, watching their pennies, and looking for the latest of some series. I’m waiting for the day when a writer realizes the market for Christian Amish fantasy space exploration novels is still wide open.

Don’t get me wrong; I read Christian fiction, some for enjoyment, some for sarcasm factor. C. S. Lewis changed my life, but I’ve also enjoyed an occasional aga saga (that’s a British term for a domestic novel) here and there. We’ll not talk about the Left Behind series; observation suggests that opening such a dialogue is the fastest way to start a fist fight at a church’s fellowship supper.

But it is not so much the writing as the selling of them that I now query: if the customers are sensible, quiet, gentle people, then why are these bookshelves so eternally … untidy? As in the B’s are visiting the Q’s and the pocket romances are sliding behind the Gilbert Morrises? (And that’s a BIG space to hide behind; he’s got his kids writing now, sigh.)

One night I spent two hours re-alphabetizing, stacking, assigning “this far and no farther shall your boundaries be” spaces to Okes, Morrises, and Dekkers, feeling vaguely Genesis 1 about the whole thing as I parsed into order what had already been created.

I went to bed with those books lined up straight and tall as soldiers in the army of the Lord (not the Joseph Kony one). A few days later I brought a stack of new acquisitions over to shelve, and it looked as though someone had taken a leaf blower to the place. Bs and Q’s openly fraternizing, pocket romances hanging with Copeland westerns…..

I glanced suspiciously at a mother-daughter combo, Mom a dignified woman bent with age in a twin sweater set, saying “read that one” as her daughter, blond highlighted hair sculpted into perfect little “I am a teacher” waves, moved a stack of books from her arms one by one back onto the shelves.

Willy-nilly, in random order. They looked up and smiled at me in a friendly way before returning to their task.

It’s enough to make a bookslinger lose faith.

The Jabberwock vs. the Narrative Arc

So the last time I finagled a weekend away from the bookshop and holed up to write, the Jabberwock roared and a lot of work got done. But I also discovered something. Three days isn’t as good as two days.

If you have three days, well, it stretches out, luxurious, like a snake in the sun, SO much time to get things done. If you have two days, you arrive the night before and haul your writing utensils onto the desk and slam some food in the fridge and start making notes to yourself so you can get up in the morning and hit it hard.

I come from a long line of procrastinators – which is in itself an oxymoron; think about it–so it doesn’t surprise me that time is the first thing I squander when there’s “plenty” of it. And this past weekend, with just two days to write, I got double the word count of my three-days wonder in late January.

It was less listening for the roar of the Jabberwock (if you’re going “huh” just now check out the blog postings from a few weeks ago) and feeling his claws pull me in, than constructing a framework on which to build: “this goes here, write a section that bridges that,” managing word flow and putting things where they make a cohesive narrative arc.

Oh, that sodding term again. For those unfamiliar with it, the narrative arc is what distinguishes a series of fun, comedic episodes forming individual chapters from a story with a beginning, middle, end, and series of events and consequences that spark other events and merge into a whole. A whole, not a hole. Narrative arcs are what make stories compelling because you want to find out what happens next, as opposed to just a pleasant read one can dip into and come out of at will.

Narrative arcs are flippin’ hard work. But once you get the frame up, they really help move the story along.

Which is a roundabout way of saying, sorry we forgot to put a blog up yesterday and we’re back on schedule now: Monday, Wednesday, Friday, and Saturday, with Jack guesting once a week.