A Stitch in Time – –

Jack gets there in time for a change – –

Thanks to our good friend Randy’s sister Linda, we were given an old Singer treadle sewing machine a while back. A beautiful piece of furniture but of little practical use, it sat in our garage until Wendy worked her charms. I set about getting this foot-powered treadle machine going again a couple of weeks ago. Friends asked if we were prepping; no. It really is just such a pretty piece of furniture, and Wendy was very persuasive….

The cover plate for the bobbin mechanism was missing, so I went online to see what was available—dubious that anything would be. Surprise surprise. In the same way that some people are enthusiastic for old guns, or hand-powered tools, there is a small but tight circle of people who love old non-electric sewing machines. Our model was quickly identified from photos, and turned out to be made in 1911. The plate was easily available, along with advice on nursing the old machine back to health.

By now I had remembered that Singer had an enormous factory just outside Glasgow in Scotland that closed in the 1980s. Some more research gave me the history of Isaac Singer, its founder; he deliberately employed mostly women in his factories as he wanted to disprove the notion that they couldn’t handle the machining tasks involved!

I must admit that although I’ve always been intrigued by old technology and remember my mother having a treadle sewing machine, I was not expecting to have any success. The belt had broken and when I tried to get it moving with the hand wheel, it was so stiff it would hardly move. But the moving parts once again proved easily accessible online, and generous amounts of WD40 got things loosened up and moving freely again.

What’s fascinating is the mixture of skills involved that were required to make these beauties sing—er, sew: the cast iron treadle and wheel, another casting for the main top part, intricate metal machining of the needle and bobbin housings, and the clever wooden case holding it all together, complete with an internal peg to hold the machine in place during use.

Recently, Wendy’s mom gave her a modern electric machine to play with; apart from having a motor instead of a treadle, it proved remarkably similar to the old Singer. Once you have a good design, the only thing that changes is the power source. So I could easily see how the thread path worked and how the bobbin thread engaged with the upper one.

I also researched replacement belts which were surprisingly easy to obtain, too. That got us off the hook on one of the old machine enthusiast sites, which suggested using a pair of nylons. Wendy didn’t feel like sacrificing her winter tights.

Fitting the new belt was very finicky, as they come oversized, get cut to the correct length on the machine, and then the two ends have to be joined with a staple. I had to re-cut ours three times before I got it right, and apparently they stretch with use and have to be re-cut again. Wendy said it looked as though I were trying to fit a leash on a hyperactive cat.

Another missing part was the metal spike on top that holds the thread reel, which had broken off at some time. But I found that a round pencil was the correct diameter so cut a length and epoxied it in place. The pencil was orange, not a color Wendy cares for, so I think it will be weeks before she discovers it missing from her box of recreational coloring materials.

The only thing I haven’t done yet is actually try to sew anything, and that will undoubtedly be interesting. We are, of course, trying to avoid trips to the emergency room during the pandemic….

Finally – I was cleaning out our Dodge Journey today and there was the original bobbin cover plate lying on the floor, months after we transported the old girl from her old home to this one. I guess now we have a spare.

Play Misty for Me – – –

Jack’s Wednesday guest post – better late than Thursday –

For over twelve years I’ve been compiling, producing and presenting a radio show called ‘Celtic Clanjamphry’ that now airs on two NPR stations here in the US and a community station in Scotland.

For the last few years, instead of traveling down to the parent station in Tennessee, I was recording these at a good friend’s home studio a couple of hours away. We usually do five at a time and then my colleague and excellent engineer Dirk sends them to the station by DropBox. I usually put together all the music for each program in a file in the order it will play and send these to him, then record all the links etc. in his studio. I use my extensive music collection plus promo CDs and such sent by bands in the Celtic world.

When the pandemic put a stop to our gathering, I set up with a soundproof box in the pre-Civil-War jail behind our house. Wendy didn’t mind sharing her writing studio…..

Using this method, I still send the music to Dirk ahead of time; he checks and lets me know how much time I have for the links, station idents etc. Of course he had to advise me on how to make a recording clean enough to work. All part of the team effort. But we do miss the face to face teamwork.

Dirk and I come to the music from very different directions, so sitting across from each other in his studio while recording the links was a very social thing, with much chatting back and forward. That added a lot to the atmosphere of the show and we both miss that enormously. We’re both hoping that it won’t be too long before we can get back working that way again!

When I was first invited to start the show I had no idea it would still be going after twelve years or that it would end up on multiple stations. But it’s a labor of love for both Dirk and me as we’re both big fans of NPR so we’re happy to provide the show as our contribution of support.

Celtic Clanjamphry can be heard as follows –

WETS.fm/HD1 – Sunday 9pm and on-line

WETS.fm/HD2 – Monday 8pm and Saturday 10am and on-line

WEHC.fm – Sunday 6pm

The above times are US Eastern Time

Alive Radio 107.3 (Scotland) – Monday 9pm and Thursday 5am and on-line

The above times are UK times (5 hours later than US)

My executive producer at WETS is Wayne Winkler who for some reason continues to have faith in me.

My desk jockey and engineer Dirk Wiley does films as an independent producer; you can see some of them here: https://vimeo.com/understated

Finally – all these stations need your support so if you listen to them at all please consider supporting them as they need it more and more.