I didn’t Finish with GISH

gish

Thank you, all my sweet friends who helped me get GISH (Great International Scavenger Hunt) tasks done last week. (If you are unfamiliar with GISH, there is a good Wikipedia article linked at the bottom of this post.)

Many whose names I fear leaving off here did amazing things. Sylvia went to Niagara Falls with her husband on a date just so she could play “Carry On My Wayward Son” on a recorder at sunset. Adrienne organized a barbershop quartet BY COMPUTER to sing protest songs outside the Rayburn Building in DC. Lynn made Beyonce out of stained glass and enshrined her in the Temple of Arts and Sciences, while Lisa and Beth helped me hoist a “LOVE YOUR NEIGHBOR” banner over an immigrant detention center hidden two hours from my happy home. There were others, too; thank you.

I didn’t finish out the hunt; events overtook and some quirks of conscience sent me back into rethinking why I’d wanted to do it. (Because for the past two years I had.) The team I was on were super-capable and had been together a long time, so communication between them was a kind of incredible shorthand this newbie never learned. Add in my confusion over some of the tasks being meaningful, others treating animals or people in vulnerable situations like props, and it just wasn’t for me.

For instance: dress a team member as a bull and have them brandish a GISH flag with a real matador in a real bullfight ring? No, nyet, never set foot in such a place, for shame GISH; fight BS not bulls. But actions sung to a children’s song, showing how to know when someone is having a stroke? Yes please. Taking day-old produce begged from a local shop to a homeless family out by the viaduct? Yeah, okay, but then let’s not worry about the quality of the photographs documenting the event. In fact, photographs are kinda rude. Saggy banner over the detention center? That’s because we thought we were going to get arrested. Someone was coming toward us and he was NOT happy.

The dynamics of the whole large hunt were weird. It was almost like being a wind-up toy set in motion for the amusement of some rich people who had nothing better to do than think up faux adventures. They would have had to be rich, because one of the tasks was to get en pointe ballerinas in tutus to paintball each other. If you REALLLLLLLLY want to piss off a dancer, ask her to dance en pointe for free. You don’t even have to add, “and by the way your shoes are going to get ruined” for good measure.

Life holds many real adventures. It’s a rich thing to know them for themselves. And yet, the hunt showed me new things. I now know where my local women’s shelter is (had to donate toys there, and we’ve been back since.) I know which of my online never-met-in-person friends are romantics, who the pragmatists are, and which outright quirky souls who will do anything for a laugh. It is very gratifying to have friends who will do anything (safe and legal) for you–or with you. The nice couple running Mason wing-walking school totally did us a huge favor for no other reason than being kind.

So it was a mixed blessing, participating in GISH. I won’t do it again, but it was a check on the bucket list that will never be matched. And I will cherish the feeling of lifting that banner for the rest of my life.

Read about the hunt’s origins here.

Monday Book – My Song is my Weapon

My Song is my Weapon – Robbie Lieberman (1995)

Reviewed by Jack Beck

Once upon a time (actually about eighteen years ago) Wendy and I were booked to perform at the Orkney Folk Festival off the north coast of Scotland. The festival took place in various venues in Stromness and we were accommodated in a lovely old hotel overlooking the harbor. Not surprisingly the hotel bar was a favorite gathering place late at night after the official concerts and ceilidhs were finished.

stromness-hotel

One night we found ourselves chatting to a young American lassie who said she had published a book we might find interesting! I immediately bought a copy and have now read it for maybe the fifth time –

As a young man in the late 1950s and early 1960s I was developing my left of center political views as well as a strong interest in folk songs. So I was well aware of Pete Seeger, the Weavers, the Almanac Singers, the connections to Woody Guthrie and Paul Robeson.

What I didn’t know was what had preceded this in the US and where all these people had in their turn served their apprenticeship, both politically and musically.

my song is

Lieberman’s book was a revelation to me in many ways –

First of all I had no idea how large and popular the US Communist Party was in the 1930s and how well accepted that generally was. Then again, I knew nothing about the ‘popular front’ and was fascinated to see how that had helped generate the ‘folk revival’ of the 1950s and 1960s.

There was much that was familiar too – the ‘redscare’, McCarthyism, the blacklist and so on.

I have to admit that on first reading I found the book pretty dense and hard going. However each time I’ve re-read it I’ve found it not just easier but more enlightening. Each time I find more gems I’d missed before!

I can thoroughly recommend this to anyone with an interest in 1930s US politics, the roots and routes of the 1950s folk revival or all three!