The Cabin without a Clock

Jack and I are fortunate to own a cabin out in the middle of the Tennessee woods. It was my home before graduate school, and the place where Jack and I had our first meal together. So it’s got a lot of history for both of us.DSCN0078

What it doesn’t have is a clock. Electricity, yes; flush toilet, check. Even a nice wood-burning stove. But no Internet access, telephone or clock. Which means once you get out there, you tell time by the sun, or the radio. It’s amazing how quickly this alters perspective. I remember a children’s book, To Walk the Sky Path, about indigenous people in Florida. The young protagonist observes his white teacher at school constantly being directed by the round thing on the wall. He offers to throw a rock at it for her, because it’s clearly bothering her, and she laughs. “How would we know when to do things without a clock?”

Jack and I use the cabin for escape time, and I use it for writing days. Free from clocks on these days, it is startling to identify the depth of their influence on our lives. At the cabin, we get up when it’s light enough to see the pond at the bottom of the hill. We go to bed when we get sleepy. And I write without deadlines of how much (or little) time I can spend on something.

The rhythm of the day rotates as gently and unobserved as the sun. You look up from a chapter and realize your stomach is rumbling, so you eat. Did you have breakfast? Is this lunch? Surprisingly enough, we eat less following this pattern.

If you’re going to take the dogs for a walk, go before dark. In the deep woods, eyes closed or open is almost the same; there literally is no difference inside the house on a dark night.

Life gets simple when you take the clocks away. Unfortunately, it only works for a few days, then you have to calculate your re-entry into society. Like as not, someone is expecting you at a numbered hour. But for those days measured by sunup and sundown, when it’s sleep, write, read, walk, cook and eat and clean up afterward, then sit on the porch watching a flock of turkeys, a herd of deer, or even (once) a bobcat shuffle up the hill on the other side of the pond, time’s measure is simpler, slower, sweeter. And oh so contented.

People have asked if Jack and I rent the cabin out; yes, if we know you or have only one degree of separation. Be warned that it is remote, and has proven too peaceful for some.

The Monday Book: THE GREAT TYPO HUNT

The Great Typo Hunt: Two Friends Changing the World, One Correction at a Time

typo huntI picked up this book because a couple of years ago, some friends and I temporarily banded together in an organization called the Guerrilla Grammar Girls. It doesn’t really exist anymore as planned, but I figured the book would be fun.

It was actually a lot more thought-provoking than expected. Jeff Deck is a former magazine editor, his co-author Benjamin Herson a bookstore manager. They did a cross-country road trip looking for and correcting typos wherever they found them: on the beaches, in the stores, and during one encounter with lasting repercussions, at the Grand Canyon.

Deck began to notice, driving about with his companions (Herson for the most part, but his girlfriend rode shotgun for part of the trip) that the places where typos were most likely to occur were the places they most wanted to be, such as mom-n-pops and independent retailers–often in rural areas, but always off the beaten track.

(They must not have visited many Walmarts, I feel compelled to add, or that theory would have died, but never mind, back to the book.)

Their need to correct, uphold, and defend English grammar and spelling got a bit tangled with their wish to understand how mistakes happened in the first place–particularly those pesky apostrophes as possessives versus plurals–but it also got mixed into that afore-mentioned discussion about urban versus rural and corporate versus independent. Was cutting slack for “folksie” demeaning or appropriate? This never really resolved itself in their repeated and rapid-fire dialogues as they traversed the country eating cheap fast food and staying in Econolodges or KOA campgrounds.

What did happen was their correction of a Grand Canyon information sign that was in and of itself, a national monument. Mary Colter was a folk artist who painted the sign in 1932, using womens’ instead of women’s. Deck and Herson had a full-on correction kit, complete with markers, chalk, whiteout and a few stick-on items, which they carried with them into the Canyon. You can guess what happened to the sign. A few months later, they found themselves in court on criminal charges of defacing Colter’s work.

It does strike me as odd Deck and Herson never aligned the significance of folk art, protected heritage, and rural independence a la the Colter sign debacle to their discussion of how independent businesses and rural locations are more likely to produce typos, but there are plenty of other philosophy moments to chew on in this book.

The writing, I say at the risk of being judgmental, is sometimes a bit blowsy, striving for cuteness rather than clarity, yet endearing at points, and entertaining almost all the time. They’re good at capturing the attitudes and diverse reactions of the people they encountered on the trip. Just imagine what it would be like to walk up to people all over the States and say, “Excuse me, but there’s a typo on your sign. Want me to correct if for you?” Some of the responses are pure psychological study, while others are straight stand-up comedy.

If you’re the grammarian about whom mothers warn their children, you’ll enjoy The Great Typo Hunt.