The Monday Book: THE HIDING PLACE by Corrie Ten Boom

hiding placeI thought about blogging this book in the wake of the Tree of Life Synagogue shootings, but wanted to wait a week.

Aside from the easy tease that tomorrow is a mid-term election and we’re all tired of politics and looking for a place to hide from it, this book is no joke. It is intense yet accessible.

For those unfamiliar, it is about sisters in a watch-repairing Dutch family, happy people with a strong Christian ethic. When WWII breaks out, they hide Jewish people. This brings them close to The Resistance–which they don’t work with, other than hiding and moving Jewish people as best they can. There is a poignant scene when Corrie is asked to pass along intelligence that she realizes will get a German officer killed, and refuses to do so. The young Resistance worker in her kitchen is gobsmacked and furious. They become suspect–despite considerable sacrifices.

The scene has come to me again and again in these turbulent times where no one can be neutral and expect to be left alone. If you’re not for, you’re against. You can’t stand in your kitchen and refuse to condemn one man to death while saving six more people in a closet upstairs. Both sides would kill you.

The Hiding Place also asks ethical questions about what it means to be light in a dark place. The family is eventually betrayed, and while the Jewish people they are hiding escape, Corrie, her father and sister do not. The latter two eventually die in a concentration (prison) camp. The women are in their fifties when the Nazis round them up. Betsy is not in excellent health. Yet she insists on standing at the edge of morning roll call, taking the brunt of the cold wind, so she can protect younger women. This infuriates Corrie. When a woman is beaten to death in front of them, Betsy and Corrie have very different reactions.

Corrie also talks about two Somali Jewish women who distrust everyone else in the hospital where she is meant to be a patient, but instead winds up bringing bedpans to others. When she attempts to help the women, who are isolated in language and race, they throw their gangrenous bandages at her. Corrie has to come to terms with what help means, when, and how.

I loved this book as a child too young to understand some of it subtleties. I loved it as a college student enough to write about it for a literacy project, igniting an interesting argument with a professor. I love it now because, in a storm of words bent on winning, it tells the story of a family that redefined what “winning” meant on their own terms. They paid for it, but they also left a legacy that allows Quakers and moderates, and quiet bunny rabbit peaceniks to find a place to stand when people all around scream “If you stand there you’re ______ (insert bad thing here).”

On Christ the solid rock I stand, best as I can interpret him in the whelming flood, alongside the Ten Boom Family, who did an amazing job of not being on anyone’s side while helping everyone they could.

 

 

The Monday Book: TELL THE WOLVES I’M HOME by Carol Rifka Brunt

wolvesThis is a complicated book. Its central character is 14 and has that bouncy back-and-forthness of wisdom and childhood coming out in lovely sentences like “That’s what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth.”

The book is about June, her older sister Greta, their late Uncle Finn, and Finn’s partner Toby. Finn is June and Greta’s mother’s brother, and both adults are talented artists. But one is doing taxes and one is dying of AIDS. Like I said, it’s complicated.

The writing is beautiful. Some of the main points are kind of unbelievable–like two girls from Westchester can get up in the middle of the night and drive to Bellevue without their parents noticing, etc. But overall the emotional range of the characters and the plot driven by their needs, angers, and hopes holds up well. Everybody wants something. Not everybody can say what they want, or why they don’t want some of their other family members not to get what they want. That’s the point around which the action rotates.

If you like character-driven drama, you will love this book. If you remember ’80s AIDS–ignoring, exploring, deploring–you will love this book. If you have no patience with unresolved plot points, you might not. There are some loose threads left dangling, but as Stephen King says, “Life has a lot of those. Why shouldn’t writing?”

The weirdest part for me, but the part that many reviewers liked the most, is how the sisters used a painting their uncle had done of them to communicate with each other. Worth a lot on the art market, the girls deface it to send coded messages when words fail them. It was an intriguing take on the art book genre.

Overall, I love the way Brunt writes, and how intensely she draws her main characters. One paintbrush up for TELL THE WOLVES I’M HOME.