Many of you have noticed that “the bookstore blog” has been the wee bit irregular this last month. It’s a combo of two things: the Celtic Festival, which we are wrapping up after its very successful 8th annual permutation Sept. 27-28; and the final “throws” of a book deal.

May 2017 will see Fall or Fly from Swallow Press. It is about adoption and foster care children in the Coalfields, and holds two things I love most about writing, plus one I never experienced before and hate (or perhaps fear).

On the one hand, my journalistic roots show when I write about people, and I absolutely love listening to others tell their life stories. They’re fascinating; people are so cool when they’re not pro tellers but are just telling what they know. It is my favorite part of any writing I’ve ever done.

But, to use a metaphor, writing in this instance is like coal mining. It’s dark, and from the entrance comes an unwelcoming smell of decay. Brave people secretly telling me their stories are the guides, lights that shine in the unhuman, inhospitable environment. They are resilient, these storytellers.

Especially the young’uns who came up through this system. With some of the least opportunity to be so, they emerge from all that pressure shining as diamonds: rock-solid, dependable human beings.

One day, after the bookstore Cafe had closed, I spent two hours talking with one person embroiled in the foster care system. When we came downstairs, Jack said the storyteller seemed “ten years younger” while “you looked as though the whole world had settled between your shoulder blades.”

For all that, they’re amazing stories, amazing people, and I’m so pleased to be writing this book. It will be smaller, more intimate than Little Bookstore. (And yes, for those of you asking, a cat book is in line, but Fall or Fly will be first.)

So deep breath, and here we go, diving deep. It’s a wonderful thing – only this time it’s in a dark pool inside a mine with just a few lights. Scary, but the words will come and make the way to get out of the dark places. And that makes everything worth it, because that’s the second part of writing I love: say what you mean, mean what you say. Find the words to tell the stories that need to be told, that other people will feel validated, empowered, even challenged to hear.

Is there anything more satisfying?