The Wednesday Book Deal (or: why writing is like mining)

mine entranceMany of you have noticed that “the bookstore blog” has been the wee bit irregular this last month. It’s a combo of two things: the Celtic Festival, which we are wrapping up after its very successful 8th annual permutation Sept. 27-28; and the final “throws” of a book deal.

May 2017 will see Fall or Fly from Swallow Press. It is about adoption and foster care children in the Coalfields, and holds two things I love most about writing, plus one I never experienced before and hate (or perhaps fear).

On the one hand, my journalistic roots show when I write about people, and I absolutely love listening to others tell their life stories. They’re fascinating; people are so cool when they’re not pro tellers but are just telling what they know. It is my favorite part of any writing I’ve ever done.

But, to use a metaphor, writing in this instance is like coal mining. It’s dark, and from the entrance comes an unwelcoming smell of decay. Brave people secretly telling me their stories are the guides, lights that shine in the unhuman, inhospitable environment. They are resilient, these storytellers.

Especially the young’uns who came up through this system. With some of the least opportunity to be so, they emerge from all that pressure shining as diamonds: rock-solid, dependable human beings.

One day, after the bookstore Cafe had closed, I spent two hours talking with one person embroiled in the foster care system. When we came downstairs, Jack said the storyteller seemed “ten years younger” while “you looked as though the whole world had settled between your shoulder blades.”

For all that, they’re amazing stories, amazing people, and I’m so pleased to be writing this book. It will be smaller, more intimate than Little Bookstore. (And yes, for those of you asking, a cat book is in line, but Fall or Fly will be first.)

So deep breath, and here we go, diving deep. It’s a wonderful thing – only this time it’s in a dark pool inside a mine with just a few lights. Scary, but the words will come and make the way to get out of the dark places. And that makes everything worth it, because that’s the second part of writing I love: say what you mean, mean what you say. Find the words to tell the stories that need to be told, that other people will feel validated, empowered, even challenged to hear.

Is there anything more satisfying?

The Monday Book: THE SUPREMES AT EARL’S ALL YOU CAN EAT by Edward Kelsey Moore

earl'sI read this book while at the On the Same Page Literary Festival in West Jefferson, NC. Five of us were featured alongside Edward Kelsey Moore as festival headliner, and he was FUNNYYYY!!!! His talk Thursday night not only held good writing advice, but a very humanitarian approach to life.

Which shows in his novel. Men rarely write such sure-voiced women, but he’s got the sassy, the scared, the secure and insecure down. His book is the kind of funny where you’re laughing until you’re crying, but then maybe you’re crying because you know the feeling the characters (Odette, Barbara Jean, and Clarice) are experiencing.

The voices of these best friends are so accurate, both in gender and in dialect. Take this little gem: “Something Mama liked to say: “I love Jesus, but some of his representatives sure make my ass tired.”

Yeah, this book is irreverent. As the women struggle with Big Issues like cancer, infidelity, and a few other lesser details, they clean up, lay down laws, and pretty much rock and rule. And come out with some humdingers along the way, like when Odette clear-headedly assesses why she’s cooking herself into a lather:

“Our annual January get-together was a long-running tradition, going back to the first year of our marriage. The truth, even though he denies this, is that the first party was an attempt by James to prove to his friends that I wasn’t as bad a choice of a mate as I seemed. Richmond and Ramsey—and others, most likely—had warned James that a big-mouthed, hot-tempered woman like me could never be properly tamed. But James was determined to show them that I could, on occasion, be as domestic and wifely as any other woman. I suspect he’s still trying to convince them.”

Knowing I’d be reviewing it, the phrase that kept asserting itself as I read was “life-affirming.” Or maybe that’s just a hyphenated word. Anyway, it’s an accurate description of what on the surface might be considered “latte lit” yet runs so much deeper than its genre. Like the author Lorna Landvik and a few others, Moore is a careful consumer of humanity (it was fun watching him watch people at the funder’s breakfast) with a kind-hearted approach to how the world works. It shows in his writing.

Two enthusiastic coffee mugs up for this sweet, fun, thoughtful read.