Bridget Jones: Mad About the Boy – Helen Fielding

Regular readers will know that I (Jack) tend to read more non-fiction than fiction, but I do make exceptions. So when ‘Bridget Jones: Mad About the Boy’ slid into the shop, I made one of these exceptions.

My introduction to ‘Bridge’ was through the movies of the first two books in Fielding’s series, which led to me reading them as well. And enjoying them.

This latest addition is very much in the same style as the previous ones and I agree with many reviewers that Fielding really does have a knack for capturing a place and a life-style. The life-style is that of engaging and fashionable 30 to 40 year olds and the place is modern day London.

My problem is that I’ve always hated London – actually, I’m not that keen on any big cities, but London is right at the bottom of places where I’d like to live! So it’s meant as a compliment that I’ve enjoyed all the ‘Bridge’ books despite their setting.

I could say the same for ‘Four Weddings and a Funeral’ as well as ‘About a Boy’ – also about the same kind of social group and in the same setting. Maybe there really is getting to be a specific genre that we need to create a special shelf for in the bookstore: Trendy 30-somethings in the Big City. We could title it ‘Cheers’ or ‘Friends’ – – –

Seriously, though – I did enjoy ‘Bridget Jones: Mad About the Boy’ as poor Bridge dealt with being a widow with two small children, the guilt of wanting a new companion, school events, life on Twitter, and the inevitable daily catastrophes. I particularly liked Fielding’s cheeky inclusion of Bridge’s negotiations with a movie company over her updating of ‘Hedda Gabbler’ by Anton Checkov (yes – Gabbler with two ‘B’s and, yes, Anton Checkov!). Fielding’s writing is just short of madcap, and paints word pictures one can’t forget.

Two glasses of sparking Evian Water up for ‘Bridget Jones: Mad About the Boy!’