Organizing the Westerns

westernAbout a week ago I realized that our Mancave needed cleaning. We call this the Guys with Big Guns sections, housing Westerns and War novels. It was dusty and hadn’t been culled or realphabzetized in some time.

Dealing with Guys with Big Guns is not something we as Quakers want to spend our time doing.  Although we don’t read these genres, we certainly sell a lot of them, so last Saturday, there was nothing for it but to bite the bullet and move in.

It’s enough to make a bookslinger cynical, I tell ya. First of all, the  expressions on the faces of the cover art guys are the same (grimacing with determination). Also their posture: they lean into the action but slightly away from the gun. Yes, they’re all holding guns, but here’s where it differs. Western guys hold six-shooters (I think) while the War people vary: post-apocalytpic weapon of choice is a Bazooka. Go figger. The spy guy  ranges from little pistol-ma-bobs to those huge rifle-esque guns you see flashed from the backs of Toyotas in countries where things are not going well.

Guns I don’t know much about; the alphabet I can handle. That’s what I was trying to do, organizing them by author. Some, like Terry or William Johnston(e) or good ol’ Louis L’Amour, move fast. Others go at about the speed of cattle crossing the Great Plains. So it’s important to keep them sorted, but at a certain point, whether First-time Author Hoping to Break Into the Genre or whoever is covering L’Amour these days wrote Shootout at Wherever gets old. Did you know that about half of all Western titles start with Shootout, Gunfight, or Crossing? Go ahead, check it out.

It seems to me that Westerns are Romance for Men. In fact, I once put a bunch of Native American romances back there in the mancave, mixed in with the other Shooters, and sure enough, they got scooped up. A word to whoever is designing the covers: a girl with big heaving bosoms and a guy with gritty determination in his eyes will do; you really don’t have to worry about anything else. Near as I can tell, in the Westerns she heaves in the background as the guy covers her with his big gun, while in the Romances she heaves in the foreground as the guy, again…. Anyway, you get the (cover) picture.

It took several hours, but our Westerns and War sections are now relatively dust-free. Jack did suggest I leave a bit, for atmosphere. “Guys want a little True Grit,” said my husband.

 

The Monday Book – Paradise to Puddledub

Jack’s guest post is the Monday book this week –

Paradise to Puddledub – Wendy Welch (Lyngham House 2002)

As  you can no doubt understand this isn’t so much a book review as a book description. It’s not a marketing ploy either; the book in question is out of print!

PtoP

This was the first complete book by my wife Wendy to be published. She had contributed academic articles before this to specialist journals and story collections, but this was all her own writing. For some years she had written a weekly column for a newspaper based in Maryville Tennessee and she continued to do this after moving to Scotland. Paradise to Puddledub is a collection of some of the stories that were published in the paper during that time.

Immediately prior to moving across the Atlantic she had lived in the tiny Newfoundland hamlet of Paradise near St John’s in Newfoundland where she studied for her PhD in Ethnography. After moving to Fife and getting married she became curiously fascinated by an equally small hamlet there called Puddledub (the joke is that the Scots word for a puddle is ‘dub’ – so the name should really be either Puddlepuddle or Dubdub!).

Of course I was very much part of the critiquing and proof reading at the time the book was being written, so it was intriguing to stumble across a copy as we were tidying a few days ago. It has been my bed-time reading since then. Many of the stories in the book describe events that I was part of, and quite few have been retold at gatherings over the years.

I suppose my only reservation is that most of the columns had to conform to a fairly strict word count because they were written originally to fit half of a newspaper page. That means that there’s more to most of the stories that there simply wasn’t room for. There’s a healthy writing discipline to that, but…

The events described range from the hilarious to the poignant and occasionally horrifying. From my first attempt to eat fast-food in a British car going round a roundabout, to the kids in an Edinburgh housing project getting to grips with a performance during the prestigious Edinburgh arts festival, not to mention the heroic librarian ‘keeping calm and carrying on’!

If Wendy happens to read this guest blog, I’d like her to consider re-publishing the book, but with some of the pieces filled out to include all of the story.