The Monday Book: THE RED ADDRESS BOOK by Sophia Lundberg

This week’s Monday Book is reviewed by Kate Belt

 

red addressMany recent novels have dealt in a comic way with the theme of older folks rebelling against the loss of independence and beating the system that infantalizes or abuses them. This is not that novel, though it is not without humor After Wendy recently reviewed one of those and didn’t love it, I suggested this book as a more satisfying read. That’s how I find myself writing this review.

 

After some medical incidents, 96 year-old Doris cannot return to her Stockholm apartment and mostly independent lifestyle, but resists being taken into care. Her beloved niece, her only living relative, comes from California to  support Doris in whatever comes next. She finds an address book in her aunt’s home with decades of entries. It is up to date. Many names are crossed out and noted as “dead.” She also finds a box of vignettes written about each person in the book. These shed light on Doris’ life history, spanning many decades from pre-WWII to the present.

 

After her dear father died, Doris’ mother sent her into service at age 11. Doris’ employer eventually moves to Paris taking her along. An agent from a top modeling house notices  the tall, beautiful, 13 year-old Doris. With her mistress’ blessing, she becomes a runway model, leading to adventures, travel, and opportunities far beyond the station to which she was born.

 

This novel has the common themes of ageism, life review, perserverance, courage, and family betrayal, . Lundt addresses them in a fresh and original narrative. It is almost equally atmospheric, character driven, and event driven. Lundberg’s story telling and writing are excellent. Character development goes deep. It held my attention from beginning to end. The one weakness in the novel is the niece’s relationship with her children and husband in California waiting for her return. That part of the narrative and its resolution  didn’t ring true for me, but they are a minor part of the story that could have been mostly omitted.  I still loved the book and recommend it because it kept my attention from beginning to end. If you love novels with historical context and strong women navigating life’s challenges, this is for you.

 

I believe this book would have strong appeal for anyone who loved Alyson Richman’s The Lost Wife or Broken for You by Stephanie Kallos. It might also be for fans of  Kathleen Rooney’s Lillian Boxfish Takes.a Walk, but with less comedy.

Who knows where the time goes –

Once again Jack misses his deadline and the Wednesday guest post appears on Thursday –

This is the title of a great song by Sandy Denny, who died far too young after falling down stairs once too often.

I find myself humming it over and over, here in Edinburgh once again, at the age of 75, after not falling down stairs very much at all—or at least not hurting myself when I did.

Edinburgh gives me a funny feeling, one I imagine must be felt by anyone of advancing years who experiences a less and less familiar place over a lifetime.

edinburgh

I first came here as a teenager to attend a jazz club on Tuesday nights–a 30-minute train journey on a pal’s “borrowed” student pass. It was glamorous and hippy. Outside of the August arts festival the place was mostly gloomy back in the Fifties, and if you missed the last train back you were stuck. Later I could borrow my dad’s car and the road bridge over the Forth opened – much more convenient and by then the folk scene had started. Gloom moved from buildings to music, one might say.

howff

The entrance to the jazz club is still the same (later the Howff folk-club)

The weird mix of nostalgia and alienation are exacerbated because Wendy and I are staying with my old singing partner of that folk scene. Barbara Dickson and I are both originally from Dunfermline, on the other side of the river Forth. We traveled that road to the big city morning, noon, and night to do gigs of every description, and every time I cross it, I remember something else from those fun, silly, earnest times.

And yet, as I return each year now leading a Scottish tour, the place seems more and more alien. The traffic is terrible, the good shops have gone, ghost tours and pub crawls advertised everywhere, every tiny corner has been turned into yet another marketing opportunity. Not that I can complain about marketing leading a tour, but a part of me longs to show Americans the way it was when it was a proud city bent on being rather than selling itself.

For all the tartan tat, Edinburgh manages to retain a certain grandeur – I’m really not sure how it does it. The 16th Century John Knox’s house in the old High Street is surrounded by awful opportunistic chain outlets – ‘kilt outfits for 100 pounds’ etc. (I wouldn’t advise buying one, or washing it if you do). That ancient house seems to just draw in its skirts and shrug them off, like many other historic buildings in the area.

Maybe we’re all destined to become curmudgeons as we age, lauding a golden past that never was. Or perhaps we all understand that commerce is driving the world now, not history, culture, tradition. Not that those ever did. If people remembered history we wouldn’t keep circling in the same paths.

So despite my curmudgeonly misgivings, Edinburgh retains a dignity and an allure beneath the shouts of tour leaders and vendors. There is more to Scotland than buying a plush Nessie in the High Street. Always has been, always will be.