New Tech Tricks for an Old Radio Dog?

In which Jack is pleased with himself for getting his home studio going

I’ve been presenting Celtic music radio shows for more than twenty years now, in Scotland as well as here in the US, but I’ve always had the luxury of someone else handling the technicalities. Back at Heartland FM in Pitlochry in Scotland (of blessed memory) it was the ever-patient Alan Brown who sat across from me, running cassettes and dropping the needle onto LPs.

Yes, it was a long time ago.

Later Alan and I tried to get to grips with those new-fangled CD thingamajigs. That show went out live and was often built around a guest who brought favorite pieces of music. I interviewed them about why they had chosen them while poor Alan cued up tracks and cut over to two mics, all the time knowing that we were going out live!

These shows went out monthly for ten plus years, and wound up being re-aired as part of a weekly series of Celtic music shows on WETS in Johnson City, Tennessee – first with Keltik Korner and then in Music from the Stone Circle. So the shows were recorded (again on to cassette) as they were broadcast and mailed to the States.

Alert readers will have worked out that these were now (at least) second generation cassettes; those were the days, my friends…..

Wendy and I moved to Big Stone Gap following the untimely death of Denise Cozad, who had presented Music from the Stone Circle, so WETS no longer had a ‘home-grown’ Celtic music show. So once the bookstore was up and running (or tilting or walking or crawling, those first years) I emailed Wayne, the station manager, and within a week I was back on air. That was eight years ago and throughout that time I have always had someone else handling the technical stuff – all I ever had to do was talk.

Remember last winter? The one that had us snowed in for two solid weeks, no one driving anywhere?

I began to explore recording my shows completely here at the bookstore instead the three hour round trip and the hassle of pre-recording CD tracks to another CD in preparation. I downloaded Audacity, but being a bit of a technophobe just couldn’t make head or tail of it, going back every few months to work through the instructions but always giving up. Renewed impetus came with the discovery of DropBox and motivation from my pal Fiona, who constructs Thistle and Shamrock on a kitchen table in Scotland. She told me she used Dropbox to upload a complete program to a filing cabinet in the sky!

I now salute the wonders of Google, carefully constructed search terms and Youtube, for their assistance in unlocking the mysteries of Dropbox. Last night I was able to make the break through and do everything that I need to do to finally (I hope) schedule my radio time completely to my choosing! Wendy says I came downstairs on Old Christmas night with my face beaming as if I’d seen the Epiphany!

Maybe not quite that, but I was happy, yes.

PS – Although delighted at my new self-sufficiency, I must give most grateful thanks to the glittering array of true professionals who have sat on the other side of the desk over the years keeping me teched up – Alan Brown, Wayne Bean, Denise Cozad, Nick Roosa, Bob Hoffman and Wayne Winkler.

If you want to hear Celtic Clanjamphry, visit their facebook page for times and playlists.

 

 

Jack’s Weekly Guest Blog tackles Celtic Fiddle

Jack’s weekly guest blog about our recent bookstore guest

Among the many delights of running our bookstore are the events that we put on. Just last weekend we had a house concert with a wonderful musician from North Carolina. Jamie Laval is an American who plays Scottish fiddle music as well as any Scot I know and we had first met some years ago when he and Wendy and I were teaching at the Swannanoa Gathering Celtic Week at Warren Wilson College outside Asheville.
Jamie stayed the whole weekend so we had lots of time to talk about his music and share a few tunes together.
But maybe the most fascinating thing happened a couple of evenings before he arrived, when we realized that he’d recently done a ‘Ted Talk’ and watched it on YouTube. He had lots of interesting things to say about his musical career and the reason he switched from playing classical violin in orchestras to making his way as a solo fiddle player specializing not just in Scottish music but west coast Scottish fiddle music!
But when he moved on to talk about how he worked with young people, and involved some of them in his performances, things really got powerful. He explained that his motivation was to open their minds and eyes to the wider world and raise their awareness of what they were capable of. Not necessarily in music but in anything they chose for themselves.
I immediately remembered when I was still working in a college in Scotland and organized student exchange programs with colleges in Denmark and Slovakia. I always had to work hard to recruit participants from among my students, and I only needed fifteen from a population of three hundred and fifty. The reasons why it was hard were simply that most of them needed exactly the boost to their self esteem and self worth that Jamie is doing with his musical events. My students often set off in fear and trepidation wondering what kind of food they’d encounter or whether they’d be able to communicate with people etc., etc. But when they came back they were unrecognizable! Confident and excited they could see, at last, that they could do anything they set their mind to.
So here’s to the folk like Jamie Laval who can find the time to invest in young people and help them to open the door to their future.
What was that about bagpipes?