Play it Again, Mike

heritageJack’s weekly guest blog
For more than fifteen years I was the lead singer and back-up guitarist in a Celtic band called ‘Heritage’. Although we were never more than middle-weights in the traditional music scene, we had a lot of fun traveling Europe’s musical gig trail.
The glory days are over and we’ve gone our separate ways, yet some band members keep in touch. Our piper/whistler/keyboard player Mike Ward, who still lives in Scotland, came for a month’s visit to the bookshop two years ago.
Mike has always had a special affinity for Brittany (in NW France, one of the seven recognized Celtic Nations) so has kept up with friends there since the tour days. He recently sent a news report about the sad fate of Pontivy Castle, one of the places where we had played. A lengthy downpour undermined a section, and it collapsed.
This sad event led to much reminiscing between us about the various times we’d been to Brittany – including playing the biggest Pan-Celtic festival in the world, at Lorien. Ah, the magnificent sound of Bagad Kemper, with its combination of highland bagpipes, bombardes, binious and drums; hurdy-gurdy bands of women in regional costumes; wonderful food and drink; and the warm hospitality of Bretons toward their Celtic cousins.
Of course Mike, who studied for the priesthood, never lets me forget the time I stumbled in my faulty French through requesting that two young women pose for a photograph ‘au naturel’ (in other words, nude). We recalled the late great piper Gordon Duncan sitting backwards astride a motorcycle, playing the pipes like a child of Pan as the bike roared through the Lorien’s main streets. Perhaps our favorite was the gig at the Palais de Congress, where the sound desk smoked and sparked all the way through. (Or maybe that’s just the gig we’re most grateful to have survived–no, that would be the one where we kept throwing our cigarettes behind us as we played on a German naval boat, only to find afterward that munitions were stored in that space.)
As you can tell from these memories, we were never equal to the Beatles, but we had some fine musicians on board and even merited an article in the US folk music magazine ‘Dirty Linen,’ by Steve Winick. It was Steve that I met for the first time in person, at my birthday dinner last week in DC.
Which is really the reason behind this blog. Who knew that a castle in 1980 would lead to two friends connecting in the US in 2014? Yet there sat Steve with his lady Jennifer, chatting away with Wendy and me as though we’d know each other since birth. I love these connections through my music, and that so many of them continue. Like books, music keeps the world at large turning, and my personal circle of connections turning in very happy ways. I am a blessed man.

Wayfaring Strangers

 Jack’s weekly guest post –

Regulars will probably know that I have a certain interest in traditional music, which for me anyway, means music of particular cultures that has stood the test of time even while it is evolving and developing. It can be purely instrumental or ballads and songs and can be from anywhere, although my personal specialty is Scottish songs.

When I used to sing with my old band ‘Heritage’ we traveled ’round Europe over fifteen years playing festivals and doing regional tours and we heard wonderful music from all sorts of interesting cultural corners.

While I’ve been presenting my weekly music program ‘Celtic Clanjamphry’ on WETS.fm from Johnson City in TN for the last five years, I’ve also been developing an understanding of the links between Appalachian music and its Celtic forebears. For six years I was a staff member on the Swannanoa Gathering Celtic Week at Warren-Wilson College near Asheville NC and that was a wonderful opportunity to engage with others, all of whom had an equal enthusiasm for those links.

More recently I’ve been fortunate to be part of the team organizing ‘Big Stone Celtic’ – our annual celebration of all the Celtic nations modeled on small town traditional festivals back in the ‘auld countries’.

So, what do I think this has to say to us in the age of electronics and fifty years after the last ‘folk-boom’? Maybe that there is still an appreciation for  music and songs that aren’t designed carefully to pick your pocket, or that do chime with a basic human need, or maybe that resonate with a distant memory buried deep within us.

Perhaps you can see from the above that I’m quite passionate about this. So I’m planning a weekend retreat down here from Friday April 25th through Sunday April 27th at the beautiful farmhouse of friends who live just outside Big Stone Gap. The focus will be Scottish ballads and songs and we’ll be working on repertoire, program balance, accompaniments, sources, sound systems and lots more. There’ll be comfortable accommodation, great food and a ceilidh at the bookstore. Although it’s aimed at singers we’ll make sure that non-singers will have plenty to interest them as well.

If you would like to know more – jbeck69087@aol.com or 276-523-5097