The Monday Book: ISTANBUL PASSAGE by Joseph Karon

We apologize for recent glitches in the blog timing. We were experimenting with presetting, and it’s not been going well. We’re going back to manual settings and will be good for Monday, Wednesday and Friday regular blogs henceforth. Technology wins again…. :] and now, Jack’s review of ISTANBUL PASSAGE
I’m a sucker for spy novels, and Wendy and I recently spent two weeks in Istanbul, so this screamed at me when it came into the shop.
I wasn’t disappointed!
Karon is often compared to Le Carre and Greene and my first observation to Wendy was “this is a cross between ‘The Third Man’ and ‘Smiley’s People’”.
The plot is both dense and enthralling – I was continually sucked in and drawn along. To begin with I was confused (actually, after finishing the book I had to go back and re-read the first few chapters). Wendy and I had not only visited Istanbul, but also Romania (not to mention Rumania and Roumania), so all the settings meant a great deal to me. Did being familiar with the places make the book more meaningful? I really don’t know!
Having said that, I definitely got an extra jolt from knowing the settings of the story.
Briefly this is a tale set in Istanbul just after the 2nd World War and as the Cold War is getting going. I had either forgotten or never realized that Turkey was neutral during that war. It was, therefore, one of those strange places like Switzerland and Portugal where the spies, diplomats or black-marketeers could mingle and play out their dramas. One of the main characters is an American businessman who’s become a ‘semi-detached’ spy and another is a Romanian double-agent. In the end the story ends up being about their relationship as much as anything else.
The descriptions of Istanbul rang very true. The book is set in 1946, but all the descriptions of streets and landmarks are just familiar enough to take me back there. Not just that, but the atmosphere as well!
When Wendy and I were flying home from Istanbul after our 15th anniversary vacation last year, one of the movies on the plane was the latest James Bond, which started with a scene in Istanbul’s Grand Bazaar – we’d just been there and one of the settings in Karon’s book is also there. Not just that, but Wendy had almost been pick-pocketed there as well.
In the end the book is about choices. Who you owe most to and where your loyalties lie.
There’s an interesting interview with Karon at the end of the edition we have where he says that the best spy novels are not about spying but more about moral dilemmas. I wonder whether all the best books, no matter what the genre, are about those?

The Monday Book: THE SILVER TATTOO by Laura Treacy Bentley

tattooDark literary thrillers are not my thing; I got this book in the post from the author who requested consideration for the Monday Book. We like to support regional authors (and she’s in WV) so while prepared to be optimistic, I worried I’d not have much to say about it.

But I totally loved Bentley’s writing. She has a great way with details and scene-setting. Her characters are not driving the plot; the plot drives the plot, specifically the psychotic weirdness of the stalker after her protagonist Leah. Bentley paints the slow, steady suspenseful rise with increasing depictions of violence or madness that pretty much verge on poetic. In the background hover tributes to Irish folklore that add nice atmosphere.

Bentley’s writing reminds me of two fantasy authorities: Ray Bradbury (one of her writing heroes, so it stands to reason) and Stephen King. She has that playful sense of poetry that Bradbury has, and like King she eschews explanation and too-obvious depictions of what’s going on inside the person’s head– a la King’s “he did it because he did it” writing.

This is a scene-by-scene book, and some of the scenes are quite intense. If you like plots that are less twist-and-turn than finely drawn, if you like to figure out for yourself why someone is behaving as they are,  or if you like Irish mythology, you’re going to love The Silver Tattoo.