Country Cousins: 3 Books About Rural Living

Today’s blog is Wendy’s essay up on NPR Books. You can see it on the NPR page at the link below.

http://www.npr.org/2012/12/12/166479169/country-cousins-3-books-about-rural-living

December 12, 2012 7:00 AM

As a small-town girl, I love depictions of rural living when they’ve got a little style and sass in their makeup. Replete with enough quirks and quaintness to choke a mule, small towns are timelessly fertile ground for writers. But the best authors ignore — or even play with — stereotypes to tell truly compelling stories.

Cold Comfort Farm

Cold Comfort Farm

by Stella Gibbons

Paperback, 233 pages

Stella Gibbons has plenty of sass. She was writing in the 1930s, when the “local color” movement glossed all things rural with sentiment, and farms were described without even a whiff of manure. Her comic novel Cold Comfort Farm stuck a pin in the balloon of idyllic country living. Featuring the Starkadder family, the cast includes oversexed farmhands Seth and Reuben, crazy Great Aunt Ada in the attic, and their sensible city-dweller cousin Flora Poste, who is capable of “every art and grace save that of earning her own living.” In one of the loveliest meta-storytelling devices ever, Gibbons marks her best passages with one or two asterisks, for the reader’s enhanced enjoyment. This book makes me laugh out loud every time I read it, which is at least once a year.

Homestead

Homestead

by Rosina Lippi

Paperback, 210 pages

Fewer laughs and more tears come from Rosina Lippi’s Homestead. A series of linked stories, it chronicles six generations of women in an Austrian mountain village, starting about 1909. Her characters are drawn with casual grace, and her understated writing is insightful and beautiful. In one tale she describes the interaction between a man and a woman negotiating sexual politics, as “Francesco had feared to ask too much of her, and saw, too late, that he had asked too little.” Quiet stories, and gentle ones, they depict the inner longings and outer strength of mountain women everywhere.

Lest Innocent Blood Be Shed

Lest Innocent Blood Be Shed: The Story of the Village of Le Chambon and How Goodness Happened There

by Philip P. Hallie

Paperback, 303 pages

Through the influence of the charismatic pastoral couple Andre and Magda Trocme, the isolated village of Le Chambon became a “city of refuge” for Jewish people in Vichy France. Philip Hallie tells the story in academic language peppered with anecdotes and first-person interviews. Any small town has rivalries and factions, and these played into simultaneously creating sanctuary while dooming some rescuers. Le Chambon is part of that era’s larger story: the daily interactions of one small town set against the backdrop of hell come to earth.

These three writers reached into the enclaves of mountain villages, subsistence farms and human hearts — and gave us funny, sweet, sorrowful insights into small-town lives lived large.

Wendy Welch is the author of The Little Bookstore of Big Stone Gap.

Three Books…is produced and edited by Ellen Silva and Rosie Friedman with production assistance from Annalisa Quinn.

A Feast fit for Bibliophiles

The last stop on loop two of the book tour was Charlotte, North Carolina, where the Women’s National Book Association held a Bibliofeast in honor of Book Month.

I didn’t know much about the place before we got here, but Helen, a friend from college, is a member of the corporate culture and explained that Charlotte ranks only behind New York City and San Francisco as the leading financial district in America. Catching up with Helen—who in the intervening 20 years has risen in her field and raised two teenagers—was grand fun; we used to tease each other mercilessly, me the journalism major bent on “uncovering truth,” she the logistics and transport businesswoman who always won arguments by pointing out I could write all the truth I wanted, but if her trucks didn’t deliver it, it affected diddly. We agreed that the Internet had changed both our professions considerably since those earnest and robust exchanges.

(Helen also generously got us a hotel room with her “points” at Hampton Suites, where a flat screen TV embedded in the bathroom mirror faced a garden tub 3 feet around. Oh, that was fun. Thanks, Helen!)

But the bulk of the night was given to the Bibliofeast; eight writers, from mystery to memoir, gathered to spend 15 minutes per table with aspiring authors and bibliophiles from the region, talking about writing in general and our books specifically, then fielding questions.

One person asked, “When did you know you were going to be an author?” and I answered, “When my agent called me.” The women laughed, but it sparked a discussion that continued at the other tables. Most of the participants were shaping books in their minds. They wanted to know what had sparked mine, and I echoed Joan Didion, that we write to organize our thoughts, to find out what we know.

And we write because it’s fun. Musicians create music, sculptures fashion substances, cooks craft food. Everybody’s got a medium. If yours is writing, you write because it’s there. I’m not kidding, and I’m not waxing eloquent. To paraphrase a whole lot of authors over the years, the best way to tell if you’re a writer is to look down and see if you’re writing. Writers write the way runners run; it happens because you protect the time, give up other things to do it, without really thinking you’re making a decision. Even if you never publish, you write when you’re thinking the same the way you drink water when you’re thirsty or call a friend when you’re lonely. You write because you need to, want to, like to; it doesn’t feel so much like a choice as a way of life.

However, you publish because you want other people to read and like what you wrote—or because you can, or because you hope for money or recognition. (Oh, honey, let me buy you a cup of coffee and let’s chat about that last bit.) That’s different than writing; for one thing, there’s a helluva lotta marketing lurking below the surface, which most of us are not innately good at.

That was the biggest common theme at the tables of the Bibliofeast, an intimate night with lovely women–to a man, we were women, with the exception of one author who looked more and more uncomfortable as the night wore on–who had a lot of thoughts but not a lot of time to get them on paper: that the urge, the internal nudge to write is the biggest signal that one should, and its own justification.

Just write it down. Get started. Have fun. Go.

Jack and Wendy will be Malaprop’s in Asheville, NC this Sunday at 3 and in The Country Bookshop in Southern Pines, NC Monday at 6, if you or your friends and relations would like to come say hi. Jack brought his homemade shortbread.