Season of Horror has Begun

Lock your doors. Turn up the lights. Don’t answer that knock. The season of terror has come.

The garden produce is ready.

As Halloween approaches and the publishing industry flings its fall line of vampires into the reading metropolises of the world, we small towners know the difference between urban fantasy fear and the truly terrifying realities of rural life.

The gardeners–those quiet neighbors with the unnatural interest in what’s in the ground behind their house–are walking the Earth at night. Nobody knows them very well, but they’re easy to spot in straw hats that hide their glowing red eyes. Like zombies of the apocalypse, they stagger along sidewalks, dripping red tomato blood from shopping bags hung on door handles, leaving butternut squash the size of baseball bats in unlocked cars, pushing piles of pickling cucumbers through a broken shed window.

Unlike zombies, the gardeners can run fast. Sea water won’t melt them, silver bullets can’t bring them down. Stake a tomato and it grows faster. This is the Unstoppable Invasion that horror fans have secretly feared for so long.

True terror is this: Soylent Green is zucchini.

So lock your doors. Don’t go out at night. The bad harvest moon is rising, tugging at the blood of every home-grown vegetable to rise and incite the sinking of fangs–or dentures, or whatever–into its flesh. Resistance is futile.

(Caption Contest V closes tomorrow! Visit August 14 to leave entry and view others.)

The Mad Hatter’s Riddle Comes Clear

Alice in Wonderland’s Mad Hatter used to have the monopoly on “most famous tea party ever,” although I fear some political parties may have overtaken him. Or joined him. I’m not sure which.

Anyway, among the Mad Hatter’s famous tea-party riddles is, “Why is a raven like a writing desk?” Like tea parties themselves, this has an update: “Why is Twitter unlike a bookshop?”

The answer makes about as much sense as anything else in today’s speed-and-celebrity-crazed world. Twitter, for those unfamiliar, is that 140-characters-or-less never-ending “conversation” you can have with the rest of the world just by signing up. Think of a very large high school lunchroom, each table seeking to be the “cool kids” and shouting short sentences into the room. No one is listening to anyone else, just making sure they’re heard.

It’s Facebook on crack cocaine: say what YOU have to say, and don’t worry about the rest. There’s even something called a “Klout” score, calculated by how often you Tweet (send a message) and how often your Tweet is retweeted (someone else resends it). Your Klout score goes down if you answer other people’s tweets or retweet others.

In other words, the more you listen, the less Klout you have? Oh dear; perhaps Twitter is not unlike the Mad Hatter’s madcap party, or the world on the other side of the looking glass.

If ever there were a world less like a bookshop, the Twitterverse is it. In the bookshop, conversations need not be short because time lasts longer. And in a bookshop, it’s all about listening. It makes your score go up, not down; customers come back,  knowing they’re not just markets you’re trying to sell to, but humans you’re trying to connect with.

Now that I’ve dissed it, let me say that I’m on Twitter because I wrote a book and got told to “go social market.” And I’ll stay on because I have actually met some fun people, and connected with some friends in the region I never see face to face. It’s like meeting in a Walmart aisle, seeing their Tweets about what’s up with their day. Plus, some Tweeters are genuine, funny, and sweet, being themselves more than pushing an agenda–or a product. Despite my initial terror, Twitter is like the rest of the world–what you make of it.

So I will be myself, and enjoy others doing the same, on Twitter. But until my dying day, I will maintain that Twitter is not like a bookshop, and be grateful for the listening calm that running mine counterweights against Tweetopia, balancing the scales of life.

Care for a cup of tea as we chat?

(Don’t forget to enter Caption Contest V; scroll down to August 14, view entries and leave yours in “comments.”)