The Jabberwock vs. the Narrative Arc

So the last time I finagled a weekend away from the bookshop and holed up to write, the Jabberwock roared and a lot of work got done. But I also discovered something. Three days isn’t as good as two days.

If you have three days, well, it stretches out, luxurious, like a snake in the sun, SO much time to get things done. If you have two days, you arrive the night before and haul your writing utensils onto the desk and slam some food in the fridge and start making notes to yourself so you can get up in the morning and hit it hard.

I come from a long line of procrastinators – which is in itself an oxymoron; think about it–so it doesn’t surprise me that time is the first thing I squander when there’s “plenty” of it. And this past weekend, with just two days to write, I got double the word count of my three-days wonder in late January.

It was less listening for the roar of the Jabberwock (if you’re going “huh” just now check out the blog postings from a few weeks ago) and feeling his claws pull me in, than constructing a framework on which to build: “this goes here, write a section that bridges that,” managing word flow and putting things where they make a cohesive narrative arc.

Oh, that sodding term again. For those unfamiliar with it, the narrative arc is what distinguishes a series of fun, comedic episodes forming individual chapters from a story with a beginning, middle, end, and series of events and consequences that spark other events and merge into a whole. A whole, not a hole. Narrative arcs are what make stories compelling because you want to find out what happens next, as opposed to just a pleasant read one can dip into and come out of at will.

Narrative arcs are flippin’ hard work. But once you get the frame up, they really help move the story along.

Which is a roundabout way of saying, sorry we forgot to put a blog up yesterday and we’re back on schedule now: Monday, Wednesday, Friday, and Saturday, with Jack guesting once a week.

Embrace the Jabberwock

Beware the Jabberwock, my son! The jaws that bite, the claws that catch! –Lewis Carroll

Everyone finds it hard to make time to write. Sometimes squeezing “butt in seat” moments requires hiding from humanity.

Since publication of Little Bookstore last October–heck, since the February before–my agent Pamela, a diplomatic woman of great gentleness, has been dropping hints. “Working on anything?” She doesn’t push, she just … asks. Every once in awhile.

It’s very effective.

Lest poor Pam bear the brunt, I have WANTed to be writing again. A vague idea has swirled into semi-solid form, and the little pin prickles of desire, of inspiration–of guilt–have grown into claws that reach out to pull my butt back in the chair.

Those of you out there who write know what it’s like: toy with an idea, write a scene, think, daydream. Start to build. Force yourself into the chair and silence your internal critic’s voice: “This is stupid. This is crap.”

Beware the jaws that bite.

Then the half-formed beast of an idea’s claws reach out and pull you in, and you’re dropping social engagements to get another hour with your characters. You never want to leave that chair.

It’s not unlike being in love.

Last weekend I fled to a quiet place for two days of butt in chair and fingers on keyboard. It’s funny how writing begets writing in the same way that exercising exhausts you, then energizes you to exercise more. First your brain goes into a post-writing meltdown where you have nothing to say; every last spark of creativity gone, you curl into fetal position under a quilt. Lying in the dark, you start to think “what if he…” and you’re up again, fingers on keys, butt in chair.

And then you hit a bald patch, or the characters take over and drive you into a corner you can’t see a way out of, and you pout and fume and go back under the quilt, and a mental image comes to you, and up you get, and so it goes.

Perhaps it’s less love than lion taming. You don’t want to completely subdue the beast of an idea, but you can’t let it take over, either.  Partnership rather than dominance; you need it and it needs you.

I’m not sure the chair-quilt swing is a healthy lifestyle, but glory, it’s fun. When it’s going well. Or when it’s over. It’s fun the same way half-way through the marathon is fun (my running friends tell me) even though every step is pain. Sometimes it’s about the moment you’re in. Sometimes it’s about the goal you’re reaching.

But it’s always, always a thrill when those claws reach out and catch you, and you see in your mind’s eye what’s going to happen next, and you’re just waiting for the chance to put your butt in the chair and your fingers on the keyboard and hear the roar again.