If I had to choose one word to sum up this book, ironically enough it would be “Complex.” The complexities of how people exhibit love, whether love and hate really are two horns on the same goat, and what it means to belong to as opposed to live freely beside someone are all explored with some fairly high-concept stressers added. The couple are Native Americans. They are successful artists. They are alcoholics. And whether they love each other or use each other or even like each other is up for grabs in the eyes of the reader.
And get this: she creates that complex effect with simplicity. Her writing, lyrical though it is, is pretty simple. The dialogue where the couple are arguing about love and divorce, interjected with tossing a salad and setting the table, had me weeping with laughter. “You don’t understand love at all. Do you want croutons?”
Also, Irene, the writer, is writing two diaries at the same time to confuse her painter husband Gil, who is reading the one he thinks is real. And she gets confused between them herself. Which is kinda funny, kinda tragic.
What is clear is that chaos creates chaos creates complications, and that the kids are incredibly well-drawn characters in this novel. Your heart breaks over them, and I suspect no two people would read this book in quite the same way. It’s just a jumble of ideas that are strung together in a story line, and sometimes it’s a series of descriptions rather than a “this happened next.”
Which works and adds to the chaotic doomed feeling of the book.
All I can say is, don’t read this book if you’re in a really good mood, or a really bad one. Read it when you have time to think about the complexities, puzzle over the “why did she and why didn’t he” moments, and feel. You’re gonna need a lot of time to feel, and you’re not always going to know why you feel what you feel. At least, I didn’t.
Two head scratches and a thumbs up for this beautiful, scary novel.