The Monday Book: TIME WAS SOFT THERE by Jeremy Mercer

“In a place like Paris, the air is so thick with dreams they clog the streets and take all the good tables at the cafés. Poets and writers, models and designers, painters and sculptors, actors and directors, lovers and escapists, they flock to the City of Lights. That night at Polly’s, the table spilled over with the rapture of pilgrims who have found their temple. That night, among new friends and safe at Shakespeare and Company, I felt it too. Hope is a most beautiful drug.”

mercerJack and I got the idea for using shopsitters at our place – people who receive free room and board in return for living there – from Shakespeare and Co. This is a famous bookstore across from Notre Dame Cathedral in Paris.

On a listserv of bookshop owners, talk turned to books about bookstores. (I received ego strokes, and then we went on.) Mercer stayed at the shop for some time, watching the ebb and flow of people who ranged from down and outs to up and comings. He also spent significant time with George, the shop owner (although not its founder – Sylvia Beach did that) and some of the regulars.

Mercer’s book is in many ways journalistic, showing his roots as a true crime writer. Yet he portrays the under humanity so simply with his “this is what happened” prose. One of the blurbs on the back calls the book a romanticized version of the bum’s life, but I don’t agree. The book is far less romantic than wistful.

Among the things Mercer does is get George’s daughter to visit, and ultimately secure the shop’s future. It has a fascinating history: closed during the Nazi Era, considered a hothouse of sedition in the 1960s student riots, monitored by the CIA in the 1990s if George is to be believed.

There are a couple of startling moments: an ethnic hate crime results in murder and Mercer is less concerned about the murder than the police sniffing around a bookstore full of people with improper visas to be in France. He seems more concerned when the 84-year-old George gets engaged to 20-year-old shop worker Eva. That kind of thing. It all just sails past, along with the adorable moments of scorn for “30 minute tourists” who just want to stick their head in the door because the place is famous, having no understanding of or interest in its true ethos.

And there’s a very funny cynicism to the scheme three residents come up with, to sit and write in front of the tourists and sell the pages, story by short story. The description of this was, quite frankly, laugh out loud funny.

This isn’t a story about books, but about the bookstore itself, its inhabitants, and its purpose. Mercer’s final paragraph is a good summation: “In the end, yes, it is a famous bookstore and, yes, it is of no small literary importance. But more than anything, Shakespeare and Company is a refuge, like the church across the river. A place where the owner allows everyone to take what they need and give what they can.”  

The Monday Book: MY NAME IS ASHER LEV by Chaim Potok

I discovered Potok in high school, and entered a world very different from my own. (And isn’t that part of why we read, to find the places where things are so very different, yet common threads run through them?) Hasidic Judaism and big cities are neither one familiar to me, and yet the points on which this story turns are accessible because they’re based on human connections. What I read as lovely background, people from other communities and cities would read as familiarity; perhaps Potok’s genius lies in depicting a world so well, people from both sides of the window can see it without distortion.

Potok has a lovely way of just telling his story, and letting you think what you will. He almost writes like a literary television: here is the scene. What, you don’t understand the facial expression on the protagonist? Well, figure it out.

I really, really like writing that gives the reader his/her own sovereignty. Asher Lev is about a brilliant kid who, if you want to put it in simple terms, was kind of born into the wrong family. Except he wasn’t. They love him, but he’s… wrong for their way of life. He’s a very gifted artist in a family that doesn’t even have pictures in the house because of strict beliefs. His genius leads him to create a division in his family that causes all sorts of things, including a betrayal of his religious identity and, ultimately, his parents. He betrays his father by painting his mother, while his whole life is one long, slow betrayal of her, as she stood between the two of them and helped her son achieve greatness. In doing so, she gave him the tools to cut his father to the core. It’s an amazing story.

But the whole story is told from Asher’s point of view, much of it as a child, so it flows past in the background while he concentrates on making art. He’s something between a straight shooter and an unreliable narrator. When his parents won’t buy him paint, he takes him mother’s coffee and cigarette ashes and uses them with pencil to create a color effect, without recognizing what his father sees, watching him do that. Did you see the scene in the film Billy Elliot, where the dad–opposed to his son’s dancing all this time–watches him break into dance in their kitchen, and gives up?

Asher is a sickly kid, but his mom is pursuing a PhD at the behest of the Reb, and his father is deeply involved in politics and even some clandestine missions on behalf of the community. None of which this child cares about. He’s painting. It makes an interesting read, and a conflicting experience as to whether Asher is a heroic protagonist or not.

The story reminds me a little bit of an essay called “The Monster,” about what a horrible person Wagner was and how incredible his music is. Asher Lev is a book sort of like Vanity Fair, one of my other favorites. It has many heroes and none.